Word: bitched
(lookup in dictionary)
(lookup stats)
Dates: during 1970-1979
Sort By: most recent first
(reverse)
Talk about your bad movies. Miss York mopes about trying to look stoic. Caine carries on with a variety of bleats, sneers and snivels. X Y & Zee, however, is mostly a vehicle for Miss Taylor, who gets still another chance to do the bitch-Earth Mother act seen previously in Boom and Who's Afraid of Virginia Woolf? She can be a good actress and is still a beautiful woman; it is a sorrowful thing to watch her camp it up. O'Brien and Director Brian G. Hutton (Where Eagles Dare} toss dialogue and bits of business...
...nudge the boys to manhood. This involves him not only as a trail boss and referee but as a speech therapist. He cures one of the kids of a bad stutter by riling him until the boy can call Duke half a dozen kinds of a son of a bitch without a single stumble...
...probably draw up a completely different selection tomorrow. 1. Groove Me King Floyd 2. Maggie May Rod Stewart 3. Let's Stay Together Al Green 4. Do You Know What I Mean Lee Michaels 5. Have You Seen Her Chi-Lites 6. Want Ads Honey Cone 7. Brown Sugar-Bitch Rolling Stones 8. Nathan Jones Supremes 9. What's Going On Marvin Gaye 10. Where Did Our Love Go? Donnie Elbert 11. Tired of Being Alone Al Green 12. Never Can Say Goodbye Isaac Hayes-Jackson 5 13. American Pie Don McLean 14. Maggie Redbone 15. Spanish Harlem Aretha Franklin...
...your life, and nothing else," says Inez, triumphantly self-described as a bitch. All the characters know why they are there; they all spent their lives destroying things--Inez a marriage, Garcin his wife's trust, Estelle her baby. But Sartre is just as clear about death; you are what you make it. Inez, Garcin, and Estelle are locked in a barren room for eternity, and they have only each other to destroy. But destruction is not possible. They are already dead and so instead create a symbiosis of torture; Inez wants Estelle, and Estelle wants Garcin, Garcin only wants...
...women, makes love to them sexually, emotionally, aesthetically; they respond, adoringly, confessionally. She drains them of their passion, distills them in her diary; they stay or leave; fangs out, she hunts for more. What is particularly insidious about this pattern is that she uses the diary to bitch in. Where in the course of a relationship she is unable to tell her seducer to go to hell, she does so in the diary, so that we will know that it wasn't that Anais Nin was jilted...