Word: bitingly
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Dates: during 1990-1999
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There is reason to believe, however, that the two men will fall back on their instincts for cautious progress. Assessing Lott's legislative successes last summer, Republican strategist Ken Duberstein observes that "Trent understands that we're a nation of incrementalists who like our progress in bite-size portions." And Clinton, after the failure of his massive health-care program in 1994, seems to have reached the same conclusion. So it is likely that the courtship of Washington's hottest couple this year will look like this: Trent and Bill, holding hands and taking, if not a leap, then...
...creative differences" with his former head writer, David Rosenthal, a veteran of Ellen, and replaced him with Timothy O'Donnell, who had worked on Dave's World and Growing Pains. Three other writers come from the defunct and spiritless Molly Ringwald vehicle Townies. Clearly, Arsenio isn't aiming for bite...
...technology, sound files came largely in the form of Windows WAV or Macintosh AV files. Both of these formats had terrific sound quality, but at a high price: since those files were often a megabyte or more in size, it could take minutes to download a 15-second sound bite...
Chancellor Media will own 103 radio stations in 21 markets, and a dominant share in 11 of the 25 largest radio markets--for example, a 15% bite of New York City's airwaves. Only Westinghouse/CBS is bigger, thanks to its purchase last year of Infinity Broadcasting for $4.9 billion. Does consolidation mean homogenization? No, says Evergreen CEO Scott K. Ginsburg. Stations succeed only on the virtue of their programming. Says he: "The audience has no idea when they press a button which company owns the station...
...frantic pace, boiling Mamet's scenes down to a few strategic lines. The actors' own smiles were evident even when they were supposed to be portraying Mamet's rage and angst. As a result, at least one joke--the excessive use of expletives in Mamet's plays--lost its bite. Nonetheless, "Speed-the-Play," as written, works as a mordantly funny critique of over-the-top postmodern theater...