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...have a keeper like Jay, who is the man, no doubt leaves a bit of a shadow,” Farrar said. “Nikhil has worked really hard the past couple years and has done a good job of filling that spot...

Author: By Madeleine Smith, CONTRIBUTING WRITER | Title: Spirited Goalie Carries on Legacy | 10/16/2009 | See Source »

...holiday standards entitled “Christmas in the Heart,” just as puzzling as it is entertaining. Nostalgic descriptions, like on “Silver Bells,” of how Christmas “shoppers rush home with their treasures” may seem a bit incongruous coming from the same singer who penned a batch of angry lyrics railing against the system. Luckily, Dylan hasn’t suddenly decided to sell out for some quick Christmas cash—sales from the album will go towards feeding families in need, both stateside and abroad...

Author: By Roxanne J. Fequiere, CRIMSON STAFF WRITER | Title: Bob Dylan | 10/16/2009 | See Source »

...classics, instead blending his unique brand of gravelly gravitas with the schmaltzy sound of sleigh bells to surprisingly pleasant effect. Hilariously backed by a perfectly earnest bunch of session singers, Dylan’s rough-hewn voice crackles over their happy harmonizing like an old uncle with a bit too much bourbon in him. Whether he’s gleefully awaiting Saint Nick’s arrival in “Here Comes Santa Claus” or politely growling an invitation to join him in a “Winter Wonderland,” Dylan’s amusement...

Author: By Roxanne J. Fequiere, CRIMSON STAFF WRITER | Title: Bob Dylan | 10/16/2009 | See Source »

...Hypermagic Mountain” are small but significant, taking the band beyond mere reproduction of a live show. The wider sonic range afforded by proper mic placement and high-end recording equipment gives bassist Brian Gibson’s densely layered effects a bit of breathing room, revealing a textural intricacy that is lost in live performance. On “The Sublime Freak”, Gibson’s feedback-soaked bass rattles the hi-hat before diving into a riff as catchy as you can expect from the borderline noise that is Lightning Bolt. Multiple effects chains...

Author: By Mark A. VanMiddlesworth, CRIMSON STAFF WRITER | Title: Lightning Bolt | 10/16/2009 | See Source »

...previews made us think this song was in response to something happening with Quinn’s baby. We think it’s a bit much given the situation. Also, Avril? Really? Luckily, while the mangled syllables are still there, the arrangement is a big improvement. Dubbing an Avril echo onto an Avril voice track doesn’t do much for us, but having the chorus of guys echo the girls wrests emotions from the song that were absent in the original. The choreography melds all the cliques well, but that last bit of hand-holding?...

Author: By Luis Urbina | Title: Recap: "Throwdown" | 10/16/2009 | See Source »

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