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...contrast, Green’s writing is considerably weaker. The script is not particularly deep and relies too much on exaggerated emotional outbursts. This is a bit unexpected as Green’s most popular film to date, 2006’s “Hatchet,” was primarily buoyed by its inventive screenplay, which played popular horror conventions for laughs...

Author: By Edward F. Coleman, CRIMSON STAFF WRITER | Title: Frozen | 2/9/2010 | See Source »

However, while the movie may be a bit too heavy-handed at times, the emotional core of the film is both unexpected and effective. Surprisingly, the central focus is not on Parker and Dan’s relationship, but instead on the evolution of Parker and Joe’s friendship. Joe, disgruntled that Parker monopolized Dan’s time since they started dating, resents her presence. While stuck in the chair lift, the two are forced to grow and support each other. The two develop genuine rapport with one another, and it is surprisingly touching...

Author: By Edward F. Coleman, CRIMSON STAFF WRITER | Title: Frozen | 2/9/2010 | See Source »

...goal was big,” Northeastern coach Greg Cronin said. “I mean, those shorthanded goals are bonus points, and I thought our team responded really well after that.,,Tonight, we were a little sluggish, but that goal obviously woke us up a bit. We got a little sloppy in the second, but that goal was a big goal...

Author: By Courtney D. Skinner, CRIMSON STAFF WRITER | Title: Special Teams Failures Prove Especially Critical, Dooming Harvard to Last Place | 2/9/2010 | See Source »

...thought we started the game a little bit flat—put ourselves in some tough situations penalty-wise,” said Crimson coach Ted Donato...

Author: By Kate Leist, CRIMSON STAFF WRITER | Title: Beanpot Blowout Provides Harvard Little Consolation | 2/9/2010 | See Source »

...Cavanagh, in discussing whether a background understanding of visual perception can inform the study of art, acknowledges that it certainly depends upon what the individual in question is interested in studying. He gives precedence to an understanding through symbolism and cultural context in many instances. Fehrenbach, too, occupies a bit of this middle ground: “To put the sensual part of art back on the agenda is absolutely important,” he says. “Art theory sometimes tends to contextualize too much, but it should start with the perceptual qualities of the object...

Author: By Joshua J. Kearney, CRIMSON STAFF WRITER | Title: Painting Perception | 2/9/2010 | See Source »

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