Word: bitterly
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Dates: during 1960-1969
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Asked which other groups he respected he said he respected everybody. "If I could I would have the radio on all day." He was bitter about gimmickry (the Jeff Beck Group's first album just out on Epic, is called 'Truth' because the Group feels that it is an honest album with no tricks.) He ridiculed the Beatles' experiments with sitar music "You know how long it takes to learn that instrument? 7 years. and there's the master who's 50 and still learning...
...case. He gives his views first in the private conferences in which the Justices discuss cases and, to some extent, determines what cases the court will consider. He also commands the prestige of his office, which can be used to help preserve unity or prevent disunity from becoming bitter and destructive...
...Gaulle's opponents charged that he and Pompidou had waged a scare campaign, successfully terrorizing the voters into seeking sanctuary with Gaullism The Communists were especially bitter, since the Gaullists had singled them out as the scapegoats for the disorders, accusing them of conspiring to take over France and turn it into a Communist dictatorship; actually, the disorders ignited with little if any aid from the Communist Party. Cried Communist Party Leader Waldeck Rochet: "The Gaullists won by applying blackmail of fear against the French people...
...their fear. First, the generation of activists: the ones who had overcome the "apathy of the sleeping '50's." But then at the prep schools some clever Life magazine correspondent had dubbed us the Negos," the super-sophisticate boys, the kids who were negative, sarcastic, caustic, alienated, and bitter about everything that touched them. We were the ones who thought it was uncool to show emotion, to become involved, to be loved or engage...
Based on the play by John Osborne, Inadmissible Evidence has made a triumphant transition to the screen, with all of its claustrophobic intensity, venom and quinine-bitter laughter intact. In his scenario for the film, Osborne has speeded the tempo by slimming the monologues; Director Anthony Page has gained added power by close-ups that pore over a human face desolate in its frustrations. As on the London and New York stage, the demanding role of Maitland is enacted by Nicol Williamson, a player of explosive passion. Williamson does not merely perform; he lays his life on the line...