Word: bitterness
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Dates: during 1950-1959
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...threat of Iron Curtain countries to the north got a thorough going-over during Ike's talks with Premier Constantin Karamanlis. The Greeks, too, delicately hinted that the President should not put too much stock in Russian peace talk, reminded him that they had fought a bitter civil war to drive the Communists out of the country after World War II. Greece had staked out a priority interest in all Balkan affairs, and got from Ike his assurances that the U.S. and Greece would consult on such affairs...
...fraudulent. In a 1954 rehearing of the case, Federal Judge John P. Barnes pronounced the kidnaping a "hoax," ordered Touhy released (he was jailed again after 49 hours, when a higher court overruled Judge Barnes). Ray Brennan, a Chicago reporter, gave Roger a florid assist in writing his bitter memoirs, The Stolen Years (TIME, Nov. 30). In 1957 Illinois' Governor William G. Stratton reduced Touhy's sentence to 75 years, and last month, after nearly 26 years in the pen, Roger the Terrible was paroled, and Reporter Brennan's book went on sale...
...Premier Chou En-lai urged that Chinese abroad "be loyal to the countries they live in." The disenchantment was mutual. Hua-chiao students returned from China complaining of hardships under the Reds. The relatives back home saw little of the money that had been sent them, and sneaked out bitter reports about the communes...
...Fighting Cock (adapted from the French of Jean Anouilh by Lucienne Hill) reveals an Anouilh more balanced than bitter in mood, and more effective as a philosophe than as a playwright. His play is an often witty variant on a persisting theme, perhaps all the more persisting because it poses an insoluble question. The Fighting Cock concerns a retired general disgusted by a world he finds filled with "cheats" and lost to honor. He would like to stir up a movement to get rid of the "maggots." Against this testy idealist rooted in the past, Anouilh sets a number...
...gaunt; and the multitude of lines evoking the forms of her collar-bone, neck and face seem to suggest a network of veins to her breast. The hint of despair in her eye reinforces the impression that she is being sucked dry by her thoughtless, greedy child. In its bitter message, stated with subtlety and thoughtfulness, this work provides a revealing antithesis to the view of children implicit in Amen's prettified prints like To Wonder...