Search Details

Word: bitting (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

Fine Arts: "Les Trois Mousquetalres"--a good version of Dumas' perpetual story of chivalry and adventure at the court of Louis XIII. A bit too long and somewhat confusing since all the characters look amazingly alike...

Author: NO WRITER ATTRIBUTED | Title: Merry-go-Round | 10/1/1934 | See Source »

...players are unable to come up to this standard. Norma Shearer lends sentiment and charm to the portrayal of Elizabeth Barrett, which adapts itself rather well to the mid-Victorian era, but as usual her emotions are more shimmering than deep. Her bursting good-health is a bit upsetting when applied to a helpless invalid. Frederick March, as her suitor, Robert Browning, succeeds in winning her hand by is a rather doubtful Browning. But few would expect Mr. March to do well in a part which concerns an intellectual; he is miscast...

Author: By A. A. B. jr., | Title: THE CRIMSON PLAYGOER | 10/1/1934 | See Source »

Back to her comfortable little Huis Ten Bosch ("House in the Woods") drove gloomy Queen Wilhelmina, having made no mention of the one bit of news all Holland is waiting for: the engagement of apple-cheeked Crown Princess Juliana to Prince Bertil, third son of Sweden's Crown Prince...

Author: /time Magazine | Title: THE NETHERLANDS: Gloomy Queen | 10/1/1934 | See Source »

...elevator. Sam Sing Tsong objected when his daughter got extra jobs on location scenes in Chinatown. Was it not true that every time a picture is taken, its subject loses part of his soul? Nonetheless, Anna May Wong carried a tea tray for Sessue Hayakawa, did a bit in a Lon Chancy picture, played in a Hal Roach two-reeler, acted with Douglas Fairbanks in The Thief of Bagdad. She got an even better chance to exhibit her ability in a German picture called-but not in her honor-Tsong, Tsong (1928) was widely successful, made Anna May Wong...

Author: /time Magazine | Title: Cinema: The New Pictures: Oct. 1, 1934 | 10/1/1934 | See Source »

...Baron to be in two places at once, he goes to England while Charlier impersonates him at home. When the Baron returns, he hops into bed with the Baroness (Ruth Weston), thinking she thinks he is his double. Out of this situation Authors Lothar and Adler work the last bit of suggestiveness. Charlier's cabaret-girl mistress (Tamara Geva) disrobes...

Author: /time Magazine | Title: Theatre: New Plays in Manhattan: Oct. 1, 1934 | 10/1/1934 | See Source »

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