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Even Cooder's fans may be caught off guard by the direction of Jazz, an unexpected anthology of tunes from Jelly Roll Morton, Bix Beiderbecke, even the great Bahamian guitarist Joseph Spence. As the surprise wears off, though, and the rhythms become less remote, they will hear some of the loveliest, liveliest music in the air. Cooder, with band, gospel quartet and full orchestra, last week performed virtually the entire album at Carnegie Hall...

Author: /time Magazine | Title: Music: Sweet Airs | 7/3/1978 | See Source »

...Baraka's essay, written four years after this film was made, to find the glue that Bland needs to bind his loosely-constructed "unique suffering" argument together. Rather than ignoring the existence of a few competent white jazz musicians, Baraka admits that some white musicians, "originally Dixieland Jazz Band, Bix, etc. sought not only to understand that phenomenon of the Negro Music, but to appropriate it as a means of expression which they might utilize...

Author: By Jim Cramer, | Title: Can Blue Men Sing The Whites? | 10/22/1974 | See Source »

...1950s, he kept up a steady reissue of such jazz greats as Louis Armstrong, Bix Beiderbecke and Bessie Smith, and brought in Mitch Miller to manage the company's middle-of-the-road pop line. In the early 1960s, as Lieberson is fond of pointing out, he helped usher in the rock era by signing Dylan, Simon and Garfunkel and the Byrds...

Author: /time Magazine | Title: Music: New Day at Black Rock | 12/31/1973 | See Source »

...writing. This allows him to sing seriously "Baby Face," and Harry Belafonte`s "Banana Boat Song," us well as spending a good thirty seconds Sunday night draped over John Gosling's piano, sipping seductively from a can of Bud. He has a finely honed sense of showmanship of show bix. So he sends a men with a fields out during intermission, dresses him in white tie, tails and shower clogs, and lets him sing all the roles in what may be a mini-opera, while accompanying himself on the fiddle. After that John Gosling felt flat on his face during...

Author: By Freddy Boyd, | Title: Top of the Pops | 11/16/1972 | See Source »

When Dorothy Baker published Young Man with a Horn (1938), the thinly disguised story of the great jazz trumpeter Bix Beiderbecke, expectations for her future ran high. The book evoked the bravura of the jazz cult with dash and devotion, if also a dash of sentimentalism. Her two subsequent novels remained merely promising. Cassandra is her long-awaited fourth novel, written 24 years after her first, and presumably a mature work. It is a crushing disappointment...

Author: /time Magazine | Title: Books: One v. Two | 2/16/1962 | See Source »

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