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...eight children of Charlie Chaplin and Oona O'Neill, and Thierree, who has performed for such talents as Federico Fellini and Peter Brook, share a sense of theater as a primal force and of spectacle as something inward. For them it is not spiritual, exactly, but not entirely show biz either. Their circus began in 1971 in Avignon, when it featured 30 performers and a regulation menagerie. In the intervening years, the focus has become more precise, so that now the whole business can quite handily be contained on a bare stage, within the confines...

Author: /time Magazine | Title: Aerobics for The Imagination | 8/26/1991 | See Source »

...they also serve theater at these bistros and boites. It's the latest, cheeriest and, for the consumer, most economical show-biz trend: Silly Cabaret. How silly? Audiences get to be part of the foolishness. They can join a conga line at Song of Singapore (1), play Heart and Soul with the nerdish vocal quartet in Forever Plaid (2), be a beauty- contest judge at Pageant (3), hum along at Forbidden Broadway 1991 1/2 (4), be a suspect in the whodunit plot at a Hasselfree murder mystery (5) or stand to recite the Pledge of Allegiance at Prom Queens Unchained...

Author: /time Magazine | Title: Come to The Cabaret! | 8/12/1991 | See Source »

None of the course's other practitioners have the show-biz pizzazz that Williamson brings to the lecture circuit. She has linked herself with Hollywood's cause-consciousness by founding the Centers for Living, bicoastal organizations dedicated to providing home help for those with life-threatening diseases. Williamson is also the prime fund raiser for Project Angel Food, a program that delivers 200 gourmet meals daily to dying AIDS patients in the Los Angeles area. Among the 800 volunteers who help with Angel Food are recording mogul David Geffen, Shirley MacLaine, Bette Midler, painter David Hockney and 20th Century...

Author: /time Magazine | Title: Mother Teresa for the '90s? | 7/29/1991 | See Source »

Eisner's rationale for hiring practically every famous architect on earth is complicated: part corporate imagemaking, part personal enthusiasm and part a natural extension of the new Disney self-confident show-biz relentlessness. And there is some enlightened despotism thrown in. "It costs the same to do well as badly," Eisner claims. "It's exactly the same price if you build 1,200 ugly rooms...

Author: /time Magazine | Title: Look, Mickey, No Kitsch! | 7/29/1991 | See Source »

...Show biz may be full of nut cases, but it has this saving grace: an ability to pull itself up short, take a hard look in the mirror and bust out laughing. When the danger of inside jokiness is avoided, the result can be Tootsie or Noises Off. Or Soapdish...

Author: /time Magazine | Title: Smiles (And Yuks) Of a Summer Night | 6/10/1991 | See Source »

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