Word: biz
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Most of the time, however, the conversation on The Arsenio Hall Show is just what you'd expect from a talk show that bills itself as a party: lots of small talk, much of it boring. Hall's show-biz gush rivals Merv Griffin's or Rivers' at their most unctuous. His treatment of guests is overly deferential, his questions stultifying softballs. ("Let's talk about pet peeves," ran a setup for Kirstie Alley.) The talk on Carson's Tonight show may be programmed and artificial, but at least it gives the illusion of a real conversation. Hall seems tied...
...fans care? At a time when most talk shows have moved into controversial issues (Phil, Oprah, even Rivers) or anti-talk-show parody (Letterman), Hall has returned the genre to its original raison d'etre: old-fashioned, unapologetic stargazing. His innovation has been to set the show-biz plugs to a bracing rock beat. And if you prefer a little more substance with your MTV flash, boy, are you stuck...
...coincidentally, by the late 1920s German publications were leaders in that pursuit. The Berliner Illustrirte Zeitung, or BIZ, boosted circulation to 2 million with a new journalistic form, the photo story. Under editor Kurt Korff and publishing director Kurt Safranski, anywhere from two to five pages of BIZ, heavily dappled with photos, were devoted to a single topic: the daily routine at a Trappist monastery, the drama of a parachute jump. BIZ, London's Picture Post (edited by Stefan Lorant) and the elegant French magazine Vu drew upon a breed of independent artist-photographer, often with one foot in Bohemia...
...small-time show biz, fading but persistent optimism is always engaged in a losing struggle with slowly metastasizing despair. Since Jack and Frank Baker (Jeff and Beau Bridges) are approaching middle age and still playing duo cocktail piano in Seattle's lesser lounges, an air of hopelessness has begun to hang heavy. Stardom is no longer an option; survival, even on the bottom rung, is becoming a question...
...laugh, and Braden joins in. Laughter, in fact, is an essential part of the curriculum at the tennis college, where every year several thousand adults take three-to- five-day courses that cost $100 daily. It erupts regularly from the classroom during Braden's unique lectures, which combine show biz, science, humor and psychology. It rings out on the 17 courts and the 18 teaching lanes equipped with ball machines -- and in the four video rooms, where students guffaw as they view tapes of their own just completed drills. Even the pro shop is involved. It carriesT shirts bearing...