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...SHOW BIZ: Indiana Jones is back -- and better than ever...

Author: /time Magazine | Title: Time Magazine Contents Page Vol. 133 No. 22 MAY 29, 1989 | 5/29/1989 | See Source »

...much as any designer today, Kelly blurs the line between fashion and show biz. "I think of myself as a black male Lucille Ball," he says. "I like making people laugh." Indeed, can one imagine the reclusive Yves Saint Laurent skateboarding a la Kelly through Paris' seedier neighborhoods? Picture crusty Karl Lagerfeld nude from the waist up, posing for Vanity Fair, with red buttons over his nipples and 16 satin bows on his pigtails? Such antics have charmed the powerful French fashion press. "Le mignon petit noir Americain," enthused one Paris newspaper -- although in America being called a cute little...

Author: /time Magazine | Title: An Original American In Paris: PATRICK KELLY | 4/3/1989 | See Source »

There's genius and show biz, comedy and flirtatiousness in the designs of Patrick Kelly, a Mississippi college dropout who ranks with the best in the field...

Author: /time Magazine | Title: Time Magazine Contents Page Vol. 133 No. 14 APRIL 3, 1989 | 4/3/1989 | See Source »

These days, that's show biz. But Jerome Robbins' Broadway is no ordinary show. It is an unprecedented monument, a living museum that one of Broadway's great names has erected to himself. The master shaman, now 70, presents dances from nine of the glorious musicals he directed or choreographed between 1944 and 1964. The sailors from On the Town again saunter through wartime New York, New York. The royal courtesans of The King and I restage Uncle Tom's Cabin, Siamese-style. West Side Story's Sharks and Jets strut toward one more epochal + rumble. The shtetl Jews from...

Author: /time Magazine | Title: Jerome Robbins: Peter Pan Flies Again | 3/6/1989 | See Source »

Will Bert somehow succeed in his quest for stardom? Yes. In a nice manageable sort of way. As his autobiographical Enter Laughing shows, Reiner has always believed that show biz is a circle more charmed than vicious, that . its most characteristic derangement is a sort of addled innocence. In Lindsay, star of the London-Broadway hit Me and My Girl, Reiner has found a perfect, gently insinuating instrument. Together they have created a sweet anachronistic counterpoint to the depressing hubbub of today's celebrity world...

Author: /time Magazine | Title: Cinema: Show-Biz Nose | 2/27/1989 | See Source »

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