Word: biz
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...play had a point: in America agony is just show biz, life-and-death issues are matters of style, and even the most desperate night callers seek sleazy entertainment, not salvation. But Stone wants more. In Salvador and Platoon he found drama to match his message; here he must invent tragedy to suit his spleen. He moves Barry from Cleveland to Dallas and appropriates the murder of Denver radio host Alan Berg -- a little silver anniversary present to the Kennedy-assassination city. Stone's camera closes in on Bogosian's face as if it were the cratered moonscape...
...assembly-line publicity. With the mid-'70s success of People magazine, and later + Entertainment Tonight, the celebrity industry went high tech and high gear. Nearly every hour of the TV day, from Today and Good Morning America through Oprah and Donahue to Carson and Nightwatch, is filled with show-biz interviews...
HOLLYWOOD SQUARES. The biggest question swirling around Republican Vice Presidential Candidate Dan Quayle is not his service in the National Guard or his legislative record, it is which show-biz celebrity he most resembles. The blond hair and glamorous mien initially got him cast as Robert Redford. More discerning observers have found his bland good looks reminiscent of Wheel of Fortune's Pat Sajak. Actually, Quayle doesn't have even Sajak's low-watt charisma. Despite his reputation as a "telegenic" candidate, Quayle looks better from a distance; as the camera closes in, the uncertain eyes and thin, twangy voice...
...uproarious as he explains to an unseen partner that he cannot love her because Your Feet's Too Big, and he and De Shields are a hoot expressing scorn and envy for a rival whom they see as Fat and Greasy. De Shields belts 'T Ain't Nobody's Biz-Ness If I Do in an up tempo that may be delightfully surprising to fans of Billie Holiday's torchy rendition, and revels in marijuana in The Viper's Drag. Woodard, too little used, nonetheless glows in Keepin' Out of Mischief Now, while McQueen is at her best in Squeeze...
Martin Scorsese's first achievement in The Last Temptation of Christ is to strip the biblical epic of its encrusted sanctimony and show biz. He has re- created -- in Morocco, and on a pinchpenny budget of $6.5 million -- a Palestine of sere deserts and balding meadows. It takes hard men to work this holy land, men who labor under the twin burdens of poverty and occupying oppression. Their clothes are dirt-dry and sweat-drenched. Their faces, most of them, boast Semitic heritage; their voices hold the raspy, urgent cadences of Brooklyn, Appalachia and other frontier outposts of working-class...