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...this most theatrical of Broadway musicals--one that exists uniquely on a stage, with no sets and only one glitzy production number--and decided it could make a hit movie without what is known in Hollywood as a radical rethink. Somebody figured that the sad, frayed lives of show-biz gypsies (always described, never shown) would strike a responsive chord in today's party-time teens. Somebody counted the Oscars and box-office grosses of Gandhi and determined that a British director in his 60s would be just the man to bring this musical Manhattan psychodrama to the screen. Somebody...

Author: /time Magazine | Title: Cinema: The Show Must Go Under A CHORUS LINE | 6/21/2005 | See Source »

...performer emotions, narcissism and self-pity. The plot asks you to believe that performers in a musical are selected on a kind of psychiatrist's casting couch, spilling their secret sordid pasts to the director. Yet the thing worked onstage as a puissant metaphor for shab-elegant show biz, where exhibitionism and humiliation dance in precise sync, where each passion must be displayed nakedly and clothed in artifice, where a dedicated pro's highest hope is to tap and smile invisibly behind the star. Each dancer's bio may have been trite: a child finding refuge and transcendence in dancing...

Author: /time Magazine | Title: Cinema: The Show Must Go Under A CHORUS LINE | 6/21/2005 | See Source »

...many comedians can get the President of the United States to warm up the audience. On the other hand, not many comedians are senior to Ronald Reagan. Besides, says George Burns, "we fellows in show biz have to stick together." Reagan's 90-second videotaped routine will kick off a one-hour CBS special titled Kraft Salutes George Burns' 90th Birthday, to be broadcast next week. Did the nonagenarian jokester have any pointers for the Great Communicator? Explains Burns: "I don't tell him what to do, and he doesn't tell me how to sing the Red Rose...

Author: /time Magazine | Title: People: Jan. 13, 1986 | 6/21/2005 | See Source »

...their critics compare the Go-Go Boys to Hollywood's founding fathers, who snorted when anyone talked about art in films and were devoted to making money. "They are like the old studio moguls; they eat, sleep and breathe pictures," says J. Lee Thompson, a 50-year show-biz veteran who is directing one of their thrillers, Murphy's Law. "The whole industry used to be like that. It's not now." Globus agrees: "The moguls cared to make money like we care to make money--so that they could make more movies...

Author: /time Magazine | Title: Show Business: Bring Back the Moguls! | 6/21/2005 | See Source »

...call the fashion police just yet. As part of its campaign to reduce greenhouse-gas emissions by 6% of 1990 levels by 2012 (under the Kyoto Protocol), Japan has figured out a way to save energy with style: no tie, no jacket, no buttoning up. Dubbed "Cool Biz" (kuuru bizu), the new casual has officials and executives shedding their signature suits a la Clark Kent this summer and raising office thermostats 5°F, to a wilting 82.4°. Aptly dressed in casual clothes, Prime Minister Junichiro Koizumi hopes to save the second largest importer of oil 81 million gal. each...

Author: /time Magazine | Title: Sweatin' the Kyoto Cool | 6/20/2005 | See Source »

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