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Carmen Jones (Otto Preminger; 20th Century-Fox). The rattle of the cash register does not often serve as the drum roll of social progress. With this picture it may. Otto Preminger's Hollywood version of Billy Rose's Broadway version of Georges Bizet's grand opera seems sure to be a big hit. It also seems likely that the picture will fling somewhat wider the gates of opportunity for Negro entertainers in Hollywood. For in this picture the actors present themselves not merely as racial phenomena but as individuals, and they put across a Carmen that...

Author: /time Magazine | Title: Cinema: The New Pictures, Nov. 1, 1954 | 11/1/1954 | See Source »

Voice of Firestone (Mon. 8:30 p.m., ABC). Soprano Dorothy Warenskjold singing selections from Bizet, Cole Porter, Hoagy Carmichael, Jerome Kern...

Author: /time Magazine | Title: RADIO: Program Preview, Aug. 9, 1954 | 8/9/1954 | See Source »

...Friday night, the faculty's second spring concert opened with Manuel de Falla's Harpsichord Concerto. While de Falla's music has a strongly Spanish flavor, it is not the tambourine-and-castanets omelet favored by Rimsky-Korsakov and Bizet. Rather, he uses irregular rhythms, unresolved harmonic tensions, and occasional folk tunes to create an atmosphere of barely concealed Latin violence. The jangling sound of the harpsichord and an accompaniment reduced to five instruments further the effect and connote its inspiration: the sonatas of Domenico Scarlatti. Harpsichordist Melville Smith and his ensemble did full justice to lyrical elements...

Author: By Robert M. Simon, | Title: Longy Spring Festival | 5/3/1954 | See Source »

...Beauty), or the peasant girl in love with the prince (Giselle). Though it is sometimes called "American" ballet, it pays almost no attention to "Americana." The repertory leans heavily (about 60%) on the choreographic work of Balanchine himself. A typical program might contain his Symphony in C, set to Bizet and danced in simple costumes against a plain blue backdrop; his showy Pas de Trois (music from Minkus' Don Quixote) as a sop to oldtimers who like to watch three top soloists show off their grace and strength; his grotesque fantasy of insect life, Metamorphoses (music by Hindemith...

Author: /time Magazine | Title: Music: Ballet's Fundamentalist | 1/25/1954 | See Source »

...never believe anything until it happens," says Mattiwilda Dobbs. But she is already scheduled to sing the big coloratura role in Strauss's Ariadne auf Naxos at the Glyndebourne Festival next summer. Her records of Mozart's Zaide (Poly-music) and Bizet's Pearl Fishers (Renaissance) are winning top notices. Impresario Sol Hurok, who is bringing her back to the U.S. next season, has his eye fixed on the Metropolitan for Mattiwilda...

Author: /time Magazine | Title: Music: Atlanta to La Scala | 3/16/1953 | See Source »

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