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...Harvard Graduate Noel Tyl, 38, is easily the most imposing Wotan in the business. Since there are few good Wotans around now and since Tyl has a rich Heldenbariton, he seems to have a bright future. As Brünnhilde, Norway's Ingrid Bjoner sings the music with yearning and power. Germany's Herbert Becker (Siegmund and Siegfried) is not the most passionate Heldentenor around, but he sings all the music-and that in itself is no small achievement-with taste and control. The character parts are well cast, particularly the dwarfs Alberich and Mime (Malcolm Rivers...

Author: /time Magazine | Title: Music: Resounding Rings | 8/4/1975 | See Source »

...cast-with Becker replaced by California's Claude Heater as Siegmund and New York's James McCray as Siegfried, and Bjoner by England's Anna Green-did not seem overly happy about the English. One would think that an American would love the idea. Not so. Says Tyl, one of several singers who appeared in both versions: "Any American who has learned a role in German has two tapes going in his mind-the original and the English he thinks by. When you throw in a third tape [the Porter], man, you've got trouble...

Author: /time Magazine | Title: Music: Resounding Rings | 8/4/1975 | See Source »

...Erich Leinsdorf to the contrary notwithstanding [Aug. 23], we have more first-class Wagnerian singers now than we had in the Melchior-Flagstad era. In the last few years the Metropolitan Opera has offered us such topnotch artists as Birgit Nilsson, Leonie Rysanek, Gladys Kuchta, Inge Bjoner, Regine Crespin and Anita Valkki, sopranos; Jon Vickers, Sandor Konya and Jess Thomas, tenors; Jean Madeira, Nell Rankin and Irene Dalis, mezzos; George London, Hermann Prey, Walter Cassel and Eberhardt Wachter, baritones; and Jerome Hines, Giorgio Tozzi and William Wilderman, bassos...

Author: /time Magazine | Title: Letters: Aug. 30, 1963 | 8/30/1963 | See Source »

Soprano Ingrid Bjoner was generally first rate as a shyly aggressive Eva. Bass Karl Doench was appropriately repellent as Beckmesser, the malevolent town clerk whom Wagner created as a caricature of one of his most caustic critics-Viennese Music Critic Eduard Hanslick. The chorus and extras were drilled with spectacular precision, creating at the end of Act II one of the most convincing pillow-throwing, hair-pulling riots a Met Meistersinger has ever seen...

Author: /time Magazine | Title: Music: Boost for Wagner | 10/26/1962 | See Source »

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