Word: bjork
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Dates: during 1990-1999
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...face behind Stereolab's characteristically sultry French vocals. (She's possibly the only person in music today who can make a complaint about faulty sound systems sexy: "Does anyone else hear that rumble?") Her look-but-don't-touch attitude makes her akin to the too-hip aunt of Bjork and Winona Ryder, a coy mistress of equally playful music...
...percentage of the rhythm section, was pre-recorded. Lamb's albums are very much studio affairs, made with a sequencer and hard drive. As such, they face the sticking point that's kept most electronic acts from success in the States: how to put on a convincing live show. Bjork manages to do it by the intensity of her stage persona, while the more laidback Massive Attack put on a powerful show by recasting their songs for live instrumentation...
...Conrad Vig, in vaudeville terms, would be the 'straight-man' of the movie. Vig is played by Spike Jonze, known not for his acting but for his directing--of music videos, for the Beastie Boys and Bjork, among others. Jonze's performance is one of the highlights of the film. He portrays Vig with a sort of unstudied exuberance, post-adolescent can-do hyperactivity, and is earnestly naive without a trace of self-parody. He delivers lines that may be almost trite in their ignorance--for example, when he asks an Iraqi rebel leader, "So, you guys think all Americans...
...remarkable feature of Catatonia is the vocal uniqueness of Lewis. Hers is a sexy, scratchy elfin voice that sounds like Bjork with a mild fever and a wider range, that adds a disarming freshness to the songs. I especially like the way she whispers "Baba Papa," Which suggests all the subtle sweet sex appeal of the continent (although, strictly, Wales, you Know...
...liquid feel; melodies and rhythms wash and flow into each other. This, however, is not a current of water but of electricity: the album is propelled by synthesized sounds, electronic drumbeats and artificial noises. Madonna is clearly borrowing heavily from cutting-edge electronica-tinged performers, including Goldie, Bjork and Aphex Twin. William Orbit, Madonna's collaborator on the CD (he co-wrote and co-produced nearly every track) says she might release a second CD featuring the songs that were too experimental to make the album. "It would be like the play Rosencrantz and Guildenstern Are Dead," says Orbit...