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...liquid feel; melodies and rhythms wash and flow into each other. This, however, is not a current of water but of electricity: the album is propelled by synthesized sounds, electronic drumbeats and artificial noises. Madonna is clearly borrowing heavily from cutting-edge electronica-tinged performers, including Goldie, Bjork and Aphex Twin. William Orbit, Madonna's collaborator on the CD (he co-wrote and co-produced nearly every track) says she might release a second CD featuring the songs that were too experimental to make the album. "It would be like the play Rosencrantz and Guildenstern Are Dead," says Orbit...

Author: /time Magazine | Title: Music: Heading For The Light | 3/16/1998 | See Source »

...best way to cross over." And those who can't yet afford an official-endorsement deal send free outfits to as many famous people as they can find addresses for and hope they will wear the clothes in public. Celebrities who have worn Wu-Wear include Icelandic singer Bjork, the rap metal band Rage Against the Machine and athletes Ricky Watters and Shawn Kemp...

Author: /time Magazine | Title: Fashion: Getting Giggy with A Hoodie | 1/19/1998 | See Source »

...seem populated with clones and robots and aliens, as well as the erosion or perversion of the things that connect people with other people, like families and friendships and religion. Perhaps the best thing about the music of the British trip-hop group Portishead, and the Icelandic pop diva Bjork, is that it sounds futuristic but never inhuman. Portishead's new album, Portishead, and Bjork's latest CD, Homogenic, echo with sounds that could belong to the next millennium. But both are also suffused with a soulfulness that is timeless...

Author: /time Magazine | Title: MUSIC: SONGS FROM TOMORROW | 10/20/1997 | See Source »

...Bjork's work, in contrast, has been characterized by an insistent sprightliness. Yet that upbeat temperament should not be mistaken for shallowness or lack of guile. Throughout Homogenic, there is a current of danger and violence. On the driving Bachelorette, Bjork sings, "I'm a fountain of blood, my love/ In the shape of a girl." And on the high-voltage, techno-infused Pluto, she sings, "Excuse me/ but I just have to explode." The album's sound is a collision of classical style (violins and cellos) and bruising electronic beats...

Author: /time Magazine | Title: MUSIC: SONGS FROM TOMORROW | 10/20/1997 | See Source »

...Bjork's voice, like Gibbons' on Portishead's CD, unifies and personalizes her album. Bjork shrieks and moans and hits strong, fresh notes, or does whatever is required to convey the emotions raging inside her. The seeming spontaneity of her performance is what's exciting. In the video for Joga, the first single from Homogenic, we see computer-generated images of landmasses, as if from a great height, and then Bjork herself, standing on a high hill, a gap in her chest exposing her swirling insides. The camera plunges within. In a future world of computer images, what still attracts...

Author: /time Magazine | Title: MUSIC: SONGS FROM TOMORROW | 10/20/1997 | See Source »

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