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...1920s, this black-and white film depicts and events of a foggy night when a circus arrives in a small European town. The town has been terrorized by an elusive strangler (Michael Kirby) who has been murdering citizens--and Woody, ironically enough, has been impressed by vigilante groups to help stalk the killer...

Author: By Dvora Inwood, | Title: Everything You Always Wanted to Know About Woody Allen: The Life and Work of a Man Who Doesn't Give Interviews | 4/16/1992 | See Source »

...film titled 55 Men on Horseback. It's an English western set in the 1760's. It's all about horses. I'm doing some new experiments, combining black-and white with color. It's also a love story, maybe my first...

Author: NO WRITER ATTRIBUTED | Title: Adapting The Tempest | 12/5/1991 | See Source »

...along with Wayne Gretzky, Jimmy Breslin and Oprah Winfrey. Parapsychology and the occult are given two massively illustrated layouts; the Holocaust merits less than half a page. In the section on American writers, James Baldwin stares out from a large color portrait, while Mark Twain is granted a small black-and- white snapshot, and Henry James is not seen at all, though oddly enough his house is. In the coverage of modern art, Georges Braque's painting is shown in black and white; Christo's sketch is in color. In order to furnish the third edition with a fresh look...

Author: /time Magazine | Title: Books: You Can Look It Up | 12/10/1990 | See Source »

...video camera is used to feed an electronic representation of each black-and-white photo to a special circuit board that can be placed inside an IBM-compatible personal computer. The circuitry divides each picture into tiny dots called pixels, much like the process by which old Hollywood black-and- white movies are colorized. But instead of assigning colors to each pixel, the computer assigns each dot a number according to how light or dark it is. Thus on a scale of one to ten, a dark smudge or scratch might be assigned a nine or ten, while a lighter...

Author: /time Magazine | Title: Technology: When The Dead Are Revived | 3/14/1988 | See Source »

Travesty, yes. Mustache, no. Colorizing leaves the original black-and- white prints unmolested. (In fact, they are rendered in mint condition before colorizing begins, which is why some film archivists like the idea.) Only a tape of the film is colorized. Nothing is altered. Colorization is not like painting a mustache on the Mona Lisa. It is like painting a mustache on cheap prints of the Mona Lisa. The original remains in the Louvre, pristine. Copies of the original, sans mustache, remain readily available. Where is the loss? What is the damage...

Author: /time Magazine | Title: Essay: Casablanca In Color? I'm Shocked, Shocked! | 1/12/1987 | See Source »

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