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...festival invited various interpretations of what it means to look back and move forward. This year, BAF began with a panel discussion about Black Art featuring renowned poet and writer Amiri Baraka, one of the central figures in the Black Arts movement in Harlem during the 1960s. The panel also featured two perspectives from a younger generation—spoken word artist Joshua Bennett and scholar Cameron Leader-Picone, a fellow at Harvard’s W.E.B. Du Bois Institute. In defining Black Art, Baraka spoke of his experiences growing up in a segregated society and took an explicitly political...
Bennett and Leader-Picone took more open stances regarding what qualifies as Black Art, noting that expressions of black identity can reveal a variety of different cultural and social experiences. However, the two made a point of honoring Baraka’s opinions and his contributions to the movement...
...think I see Black Art changing as material circumstances change,” Bennett said. Then, addressing Baraka, Bennet said, “Your generation gave us that... and I think that’s a beautiful way Black Art encompasses a spectrum of the human experience we haven’t seen before...
While these events and exhibits undoubtedly focus on bringing Black Art to Harvard’s campus, BAF makes a point of celebrating diversity. To that end, Afari pointed out that the festival seeks to serve as a unifying agent for an audience far beyond the black community at Harvard...
Another event, titled “Old Skool Meets New School,” consisted of a series of workshops in the arts for local high school students. These lessons are a part of BAF’s efforts to bring Black Art to a community larger than Harvard alone. For Afari, this inclusive spirit is one of the best aspects of BAF because “everyone can identify with it, no matter what culture...