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Word: blackly (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

DuPont Circle and Georgetown-traditional hangouts of Washington radical youths-were quiet, Nearby 14th Street. the center of past radical disturbances and black radical activity, was virtually deserted...

Author: By The CRIMSONS Potomac bureau, | Title: Capital Is Calm 100,000 Jam City | 11/15/1969 | See Source »

Everyone wears armbands. Some say "Peace." some say "Moratorium." and black ones for the March Against Death don't have to say anything...

Author: By Michael E. Kinsley, | Title: Reception Centers Fight Chaos As the Marchers Keep Pouring In | 11/15/1969 | See Source »

Racism and exploitation-you find it everywhere-even in the Harvard CRIMSON. Mr. Butler, yes, typified that blatant kind of racist behavior that black people can no longer ignore or tolerate. But the CRIMSON, in yesterday's article, typified that subtle kind of racism which permits it to use a black person, namely me, to carry the weight of a protest staged by a white organization which presumes to speak for black workers. In your next issue, why don't you run a photo of the 70-odd whites at Tuesday's conference who carry bonfire SDS membership cards...

Author: By Diorita G. Fletcher, | Title: The Mail NOT 'SDS'ER | 11/14/1969 | See Source »

Israel Horovitz's Morning opens the evening of one-act plays with promises of (perhaps) a new day, a new world. In the midst of Harlem, a black family-a little like good old Kingtish and Sapphire, only a hellever lot tougher-have just popped a few pills that turn them white. Overnight. But as should be expected, devolving into a white man isn't that simple a proposition. In effect the play becomes a roller coaster excursion through a series of assumed racial identities (along with their accompanying crises) until. finally. Horovitz's white blacks decide to stick with...

Author: By Gregg J. Kilday, | Title: The Theatregoer Morning, Noon, and Night at the Loeb through November 22 | 11/14/1969 | See Source »

...actors. they quickly establish an uncanny competence and flexibility that extends through most of the evening. John Archibald as Tillich, a well-meaning white liberal who some how can't accent the fact that his 14-year old daughter has been raped by a black school chum on the first day of a new bussing program, and Marty Ritter as Gertrude. a black Mama with pretensions to middle-class suburbia, are particularly well-cast...

Author: By Gregg J. Kilday, | Title: The Theatregoer Morning, Noon, and Night at the Loeb through November 22 | 11/14/1969 | See Source »

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