Word: blackly
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Dates: during 2000-2009
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...ostensible plot is ripped right out of the J-horror handbook: a young married couple travel to an isolated woodland retreat to deal with the grief following their toddler son’s death. In the film’s highly-stylized prologue, the black and white, slow-motion sequence of Dafoe and his wife, played by Charlotte Gainsbourg, making intense and explicit love is intercut with their son wandering into the room, witnessing their coitus, climbing out an open window, and falling. The image of the child falling in the snow-filled sky to the sound...
...Exhibition," museum-goers can first be sorted into one of the four Hogwarts Houses by the Sorting Hat. The oak doors that then lead into the rest of the exhibition open on a black room where scenes from the movies play in loop. Suddenly, a black screen rises, and Platform 9 3/4 appears, complete with a steaming red train engine and a waiting platform attendant carrying an old-fashioned lamp...
...usual, each song’s backbone is a distinct and catchy guitar lick. Sometimes these guitar melodies are comparable to the coarse, raspy, and low-pitched riffs played by the Black Keys; “Pilgrim,” “Phoenix,” and “White Feather”—the album’s slower, sparser moments—are prime examples of this. “Pilgrim” starts with an upbeat, swing-feel guitar riff that is soon joined by percussion. “She?...
...sound. From beginning to end, “10,000 Feet” is filled with dark, sadistic, repeated low-note chords, a dominating drum set, and shrill, bestial screams. “Sundial” features intricate guitar riffs sequenced with driving, propulsive bass strangely reminiscent of a Black Sabbath throwback. The tracks maintain Wolfmother’s characteristic clumsy, hard rock style...
...number of the songs on “Tabloid” are taken from white artists as profoundly influenced by black music as Phoenix has been. Selected gems from these singers and songwriters—Elvis Costello, Dusty Springfield, Lou Reed, the Dirty Projectors, to name a few—are paired with songs by preceding, contemporaneous, and succeeding black artists—The Impressions, D’Angelo. For Phoenix, stylistic connections trump relations of chronology or influence. Placing Elvis Costello’s schmaltzy, intricate “Shipbuilding,” just before D’Angelo?...