Word: blackness
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Dates: during 1920-1929
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Came a sudden cloudburst. Roads were washed out. Impossible to move. Black night descended. Fitfully in their busses the travelers dozed. Came, out of South Africa, a noise like distant thunder, then the full-chested, long-drawn reverberant roar of lions in the bush, a sound no lion makes in captivity...
...Black Crook. It was on Sept. 12, 1866, that The Black Crook entered Niblo's Garden in New York. Buxom young ladies appeared in tights which revealed not only their ankles but their hips. In those days people believed with Queen Victoria in the theory that women had no understanding whatever. Next day James Gordon Bennett's New York Herald commended the city to the fire and brimstone of Sodom and Gomorrah. Sunday after Sunday pulpits boomed denunciation. Soon at Niblo's Garden there was only standing room...
Last week in Hoboken, N. J., their ''last seacoast of Bohemia," Christopher Morley, Cleon Throckmorton, Conrad Milliken and Harry Wagstarf Gribble revived The Black Crook. Next day not a newspaper blushed, no pulpit peeped. Nevertheless, Hoboken's Lyric Theatre had scarcely more than standing room, not, of course, because The Black Crook is shocking in 1929, but because it is "quaint.'' The only trouble with it is that it is entirely too quaint. In their efforts to be sure the audience understands just how funny it looks and sounds after all these years, the actors...
...Black Crook is, of course, only the latest chapter in the astonishing adventure of four gentlemen in Hoboken. For years the Three-Hours-For-Lunch-Club, a semi-mythical organization of Manhattan gourmets, has met occasionally in the New Jersey port, drawn across the Hudson by German cooking and the fact that Hoboken's beer has scarcely heard of the 18th amendment. It was on one of these trips that Cleon Throckmorton, scenic designer, discovered the old Rialto Theatre, buried under 70 years of dust. He interested Christopher Morley, novelist-playwright-essayist-colyumist ; Harry Wagstaff Gribble, playwright; and Conrad...
...Giuliano did one thing to insure his immortality. Once, while visiting his brother the Pope, he donned a gold hair net, black biretta, grey-green and furry cloak, scarlet vest. In this attire he climbed to an upper chamber of the Vatican palace (through a window could be seen the squat turret of Castle St. Angelo), and there sat for the popular painter, Raphael Sanzio. Raphael was then in his prime, his original talents reinforced by much critical study of Masaccio, da Vinci, Michelangelo, Bartolommeo. He painted Giuliano with the grace and color befitting even a mediocre Medici...