Word: blacks
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Dates: during 1950-1959
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...tortured and shot by Batista soldiers; the burned hulk of a bus, rusting and grown over with weeds; bullet holes in the roadside huts; the twisted girders of dynamited bridges, and the shaky timbers of temporary spans, where the water rushes hubcap-high. The road signs are newly painted black and red-the rebel colors...
...then ecstatically describes panoramas of steel plants, oil rigs, coal trains. There are sequences of carefree Russians churning up the Volga in a motor launch, of the "volunteers" who whistle while they work to make Siberia a mountain greenery home. In the Caucasus, bikini-clad beauties splash in the Black Sea. It is enough to make the St. Petersburg, Fla. Chamber of Commerce ask Washington for equal time...
...Redgrave, Dame Sybil Thorndike, Dana Wynter, Glynis Johns-into an everyday Irish stew. Taken from a 1934 novel by Rearden Conner, the plot concerns a young American (Murray), a medical student in Dublin just after World War I, who finds himself innocently involved in "The Trouble." Pursued by the Black and Tans, he is spirited away by one of his professors (Cagney), who turns out to be a high officer in the Irish Republican Army. Grateful and idealistic, he joins the underground struggle against England, but soon comes face to face with the usual conflict between love (Wynter) and duty...
...black wig glossed by the footlights, the cleft-chinned, still slender actor moved across the stage with lithe vitality. In turn he flashed from eye-rolling jokester to grimacing pighead, from egotistic Roman hero to slack-jawed outcast. The actor: Sir Laurence Olivier, 52, first knight of the British theater and probably the greatest living English-language actor. The play: Coriolanus, William Shakespeare's least popular major work. The stage: Shakespeare Memorial Theater at Stratford on Avon, where critics are only too eager to fault the stars. But on opening night last week they agreed with the capacity crowd...
...character named Lorraine Sheldon swirled onstage in the second act of The Man Who Came to Dinner, gaudy in mink, black satin, and black mesh stockings. "Sherry, my sweet," cooed Lorraine to the bewhiskered leading man. "Oh, darling! Look at that poor, sweet, tortured face! Let me kiss it." After that entrance it was hard to believe the program. The seductively feline manner and the shapely, shaved legs (badly nicked by a dressing-room razor) of Lorraine Sheldon belonged to an actor named T. (for Thomas) C. (for Craig) Jones...