Word: blacks
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Dates: during 1960-1969
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GIVEN PR's aim of increasing minority representation, one of the more interesting questions about the race is the fate of the three black candidates: Thomas Coates (CCA), School Committeeman Gustave M. Solomons (CCA), and Henry F. Owen III (Ind.). Of the three, Coates appears to have the most strength. A former councilor, he began running again moments after he was defeated in 1967. Yet, if he or another black is to win, the black voters will have to mark their ballots one, two, three for the three black candidates. The frontrunner will probably still need some more support from...
...reality of the campaign is that Hayes is trying for a Committee where two vacancies are opening up. Both were held by men who are now running for City Council. One was held by a black, Gus Solomons. Hayes is counting on a big black vote for him, for there are no other blacks running and Hayes has a good record in dealing with racial problems. Other minorities are for him too, including the Spanish-speaking people in Cambridge who seek a program for their children to learn Spanish and Latin American culture. This is one of the main planks...
...copper plate with which he printed. According to the catalogue, alteration of this plate constitutes a change of "state" in the print. But within each state the artist experimented with ink and paper tone. Rembrandt often printed an image on particularly dark or absorbent paper to soften the black lines. Sometimes by wiping the ink off the plate before printing, he let light from the surface of the paper glow through the network of lines. Intricate juxtaposition of black and white makes the billowing robe of a priest glitter as though it were done in black and gold oil paint...
...FIRST state of the print is a general statement. But in the second state Rembrandt refined the face, darkening the curve of the lips, and enunciating the cheek. One eye, large and black, opens in a tentative expression. The other one tightens in its scrutiny of the viewer. Rembrandt again blurred the features in a third state. Now the eyes are of equal size. And an arch scratched in at the top of the page brings de Jonghe forward. Finally Rembrandt cut deep shadows into the cape grabbing the focus away from the face. And the print seller becomes...
...described people the way we see them-all ages and sorts-and our eyes trust his images. Often unable to articulate his feeling in a line, he immersed a scene in a shadow. Some of the prints, like "The Adoration of the Shepherds: A Night Piece," are almost completely black. A box-like lamp, held by a shepherd sends light shimmering through the mesh of lines on the surface of the paper. Only the faces glow from the mysterious night in the stable. The artist expressed the wonder of the people present by unifying them in darkness...