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...above, but also add shredded white paper for cheese. Wear a bowl upside down on your head. Optional: draw black beans on your face with a washable marker...

Author: By Michelle L. Quach | Title: Dress Up as a Burrito, Get a Free Burrito | 10/31/2009 | See Source »

...usual, each song’s backbone is a distinct and catchy guitar lick. Sometimes these guitar melodies are comparable to the coarse, raspy, and low-pitched riffs played by the Black Keys; “Pilgrim,” “Phoenix,” and “White Feather”—the album’s slower, sparser moments—are prime examples of this. “Pilgrim” starts with an upbeat, swing-feel guitar riff that is soon joined by percussion. “She?...

Author: By Alex C. Nunnelly, CONTRIBUTING WRITER | Title: Wolfmother | 10/30/2009 | See Source »

...sound. From beginning to end, “10,000 Feet” is filled with dark, sadistic, repeated low-note chords, a dominating drum set, and shrill, bestial screams. “Sundial” features intricate guitar riffs sequenced with driving, propulsive bass strangely reminiscent of a Black Sabbath throwback. The tracks maintain Wolfmother’s characteristic clumsy, hard rock style...

Author: By Alex C. Nunnelly, CONTRIBUTING WRITER | Title: Wolfmother | 10/30/2009 | See Source »

...number of the songs on “Tabloid” are taken from white artists as profoundly influenced by black music as Phoenix has been. Selected gems from these singers and songwriters—Elvis Costello, Dusty Springfield, Lou Reed, the Dirty Projectors, to name a few—are paired with songs by preceding, contemporaneous, and succeeding black artists—The Impressions, D’Angelo. For Phoenix, stylistic connections trump relations of chronology or influence. Placing Elvis Costello’s schmaltzy, intricate “Shipbuilding,” just before D’Angelo?...

Author: By Ruben L. Davis, CONTRIBUTING WRITER | Title: Smoldering Musical Discourse, Rising from the Ashes | 10/30/2009 | See Source »

...finally agreed to meet with the opposition leaders on Oct. 24. He clearly realized the gravity of the moment. "Let us not allow this to become the funeral of our democracy and our electoral system," Medvedev told the deputies. "Although it is true, I made a point to wear black today, because I knew you would be in the mood for a funeral." Three days later, Medvedev asked Churov to look into the opposition's claims. Then the President slipped back into his usual complicity. He said the elections had been "satisfactory" and that any claims to the contrary would...

Author: /time Magazine | Title: Medvedev Dashes Hopes for More Democracy in Russia | 10/30/2009 | See Source »

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