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...Iron Fists: Branding the 20th Century Totalitarian State.” Heller pointed to Mao Zedong and Joseph Stalin as examples of the first politicians whose photographs were airbrushed extensively by graphic designers. “Mao never brushed his teeth, but in photos his black teeth were always pearly white,” Heller said. Heller also described how Adolf Hitler and Benito Mussolini both used graphic designers to promote “the cult of the kid.” In Fascist Italy, youth was idealized: posters which depicted virile young men and women were the cultural advertisements...

Author: By Keshava D. Guha, CONTRIBUTING WRITER | Title: ICA Talk on Social Agency and Design | 4/10/2009 | See Source »

...that impulse. Morisset, who helped shape the viral marketing blitz for “Neon Bible,” struggles stylistically. “Miroir Noir” often adopts a vérité approach. The final scene’s a nod to online indie concert series Black Cab Sessions, and many scenes capture the band members in the middle of rehearsals and downtime, in hopes of emulating the free-wheeling performances captured by Paris-based La Blogotheque’s Take-Away Shows. Yet the band members never let their guard down—they?...

Author: By Jake G. Cohen, CRIMSON STAFF WRITER | Title: Miroir Noir | 4/10/2009 | See Source »

...touched them. Literally.” At the same time, Biggers’ pieces demand a mental engagement from the viewer. The headboard used in “Sticky Fingers” was a large Afro Pick entirely covered in leather, its top curled into a Black Power fist. Viewers interpret the work depending on their prior understanding of these symbols and their implicit meanings. “We only understand anything from our experiences,” Biggers says. And when viewers bring their diverse experiences to their interactions with artwork, the result is often surprising, even for Biggers...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: Multifaceted Artist Biggers Dodges Simple Interpretations | 4/10/2009 | See Source »

...recalled the worst of European imperialism. Mandela, locked up for 27 years only to emerge with forgiveness for his oppressors, was a secular saint. There was no equivocation here. With the ANC and Mandela on one side and apartheid on the other, South Africa was literally a question of black and white...

Author: /time Magazine | Title: Why South Africa's Over the Rainbow | 4/9/2009 | See Source »

...progress, it is the Eastern Cape around East London. Drive out of the city and after an hour you descend into a steep, forested canyon along whose floor snakes the River Kei, the old boundary between white-run South Africa and the rolling prairies which apartheid authorities designated the black "homeland" of Transkei, meaning "across the Kei." During apartheid, the Transkei was a place of destitution: thousands of mud-walled, grass-roofed huts where people lived without running water, electricity and roads. Apartheid's rulers absolved themselves of any blame for this poverty by arguing that blacks were free...

Author: /time Magazine | Title: Why South Africa's Over the Rainbow | 4/9/2009 | See Source »

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