Word: blacks
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...perverse historical chance dropped the holiday of elegant evening dates down on the part of the calendar worst suited for it. Erratic mountains of ice and curbsides which drop off into unfriendly black abysses make walking anywhere in February a chore. Add in impractical shoes, uncomfortable clothes, and high expectations, and the chore can become catastrophe...
...struck my group that in the past ten minutes we had seen several sets of blue-red police lights but not a single fellow civilian. Deserted shopping complexes and the occasional pack of home-bound partiers constituted the early morning scene at the riverbank. The light of a purring black helicopter scanned the fractured sheets coating the Potomac, while a hovercraft zipped over them, fissuring the fragile ice. I imagined the FBI sweeping in and rounding us all up for trespassing. That would be a hell of a way to miss an inauguration. It turned out we had not trespassed...
Andre the Giant, Barack Obama, Andy Warhol, Flavor Flav, Noam Chomsky, and the dollar bill have one thing in common: at different points in time they have all been made into a Shepard Fairey image. A street artist whose mixture of black, red, white, and, most recently, blue in stylized swaths makes his images instantly recognizable to the initiated, Fairey has peppered the walls of buildings, electrical boxes, and street signs for the past 20 years with stickers and posters. The text accompanying the images dares the observer to “obey,” seeking to prompt passersby...
...shiny metal surfaces—have been hit. Plastered within an archway on an outside wall of The Garage, a Muslim woman totes a gun with a flower in its barrel. Next to The Gap on Brattle Street, a woman decked in roses stares. Variously themed red, white, and black stickers have also been cropping up in the Square, all adorned with Fairey’s signature image of Andre the Giant and all with the same imperative: Obey...
...photograph also reveals a cultural prudishness through its aversion to the open expression of sexuality. The region below the waist is darkened, and the only discernible forms are a golden phallus incorporated into a threatening horned visage drawn in tribal paint. In another photograph entitled “Black Friar,” Fani-Kayode is dressed in black religious garb and set against a dimly lit background. His face is lit from below, as if illuminated by ceremonial candlelight. Fani-Kayode looks uncomfortable in his friar’s robes. The lighting is just strong enough to capture...