Word: bladed
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Dates: during 1970-1979
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...frontier. The faces of Wyeth's cast of bucolic characters-the Kuerners in Pennsylvania, the Ericksons and Olsons in Maine -are almost as familiar, though less physiognomical, to his audience as those of Johnny Carson, Richard Nixon or Bugs Bunny. Moreover, everything is distinct. One gets every last blade of grass on the cold hill, delivered in low, muted colors that suggest a kind of flinty and puritan sincerity. Small wonder, then, that a large public considers Wyeth the Great American Artist-or that the opposition to him has been, in some quarters, as violent and irrational...
Sinister Sensuality. Watkins is more interested in establishing the sensual details of Munch's painting: the sound of a brush dashing paint, a blade peeling pigment off a canvas. Munch's formative affair with a married woman (Gro Fraas) is here devoid of dramatics. Watkins wants us to absorb the colors and emotions of the affair direct from Munch's work, particularly from one, finished in 1893 and full of sinister sensuality, showing a woman leaning close over a man. The painting is titled Vampire. The director dwells on the haunted canvases with a sort of driven...
...from saccharin to soporific to just plain stupid--gives the hefty Brando any leg up. Not does the film's only female presence, a cattle baron's educated, sensitive, bored and basically horny daughter who sums up her view of the prairie with a quote from Samue Johnson: "A blade of grass is a blade of grass; show me a human being...
...William Bryant of Trenton performed tests on a torpedo of Surinam and proved that it could send a shock "through metallic substances, like an old sword blade," but when the sword was "armed with sealing wax, the electric fluid would not pass...
Glenn Turner's Woyzeck mirrors the strengths and weaknesses of the production, succeeding at isolated emotions but never really commanding his character. Turner is good as the victimized soldier, quietly bowing to his captain's abuse while even more quietly considering twisting the blade of the razor with which he shaves him. And Turner is equally good in the scene of the jealous lover, spitting out rage and a disgust of the flesh worthy of an Othello. But he does not convey Woyzeck's slow emotional deterioration and the enlightenment that should come with the consciousness of his own fall...