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POOR RUTGER HAUER. A sinister delight in Blade Runner, he is trapped by poor screenwriting and character development. Hauer seems to regard his role as the methodically killing John Ryder as an irreparable joke, and therefore he plays the joke for all it's worth. When asked where he is from, Ryder quips "Disneyland," with a mocking half smile. Ryder is funny, but completely unthreatening...

Author: By Thomas M. Doyle, | Title: Dull Violence | 2/28/1986 | See Source »

...Grace, chairman of W.R. Grace, made thousands of recommendations on how to slash the U.S. budget deficit. Since he delivered his report to President Reagan in January 1984, Grace has waged a personal crusade against the Government's spendthrift habits. His company recently hired Movie Director Ridley Scott (Alien, Blade Runner) to create a TV commercial that would alert viewers to the horrors of huge deficits. The result is The Deficit Trials, 2017 A.D., a futuristic fantasy that cost about $300,000 to produce. Set in a mammoth courtroom, it shows a twelve-year-old prosecutor trying his elders...

Author: /time Magazine | Title: Advertising: The Trial of 2017 A.D. | 2/10/1986 | See Source »

...your portrayal last Friday of a "radical feminist," as a monstrous man-hater guiltily lusting after Sly Stallone. Maybe next week, if we're lucky, we'll get to meet a real live Black person--who you'd no doubt have sporting numerous gold-chains and wielding a switch-blade. Or maybe you'll give us a puffed-chested hispanic showing off his new Cadillac...

Author: By Rebecca K. Kramnick, | Title: A Step Backward | 2/3/1986 | See Source »

Similarly lacking in tasteful bravado were his two most recent cinematic exploits, the dull-edged Blade Runner and the utterly forgetable Deal of the Century. Thus, prior to the release of his latest chef d'oeuvre, the largely critically acclaimed Twice in a Lifetime, one had to wonder whether or not Yorkin had a chance of making it in the eighties...

Author: By Cristina V. Coletta, | Title: Tea For Two | 1/10/1986 | See Source »

...story should seem familiar: 1984 a year late. But as in so many key movies of the decade (Blade Runner, Diva, the Mad Max films), texture is text here, submerging the plot in a garage sale of 20th century detritus. Brazil is a place, like Stalin's Russia or the British welfare state, where everything is planned but nothing quite works. A Rube Goldberg spy machine kibitzes with a roving bloodshot electronic eye, then wheels away in a deranged gait. Giggling plastic surgeons do their "snip snip slice slice" with metal clamps and Saran Wrap...

Author: /time Magazine | Title: Cinema: Happy Ending for a Nightmare Brazil | 12/30/1985 | See Source »

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