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...each other, "'Billy Bob' who? Is there a 'Billy Bob' here?" If you listened real hard, you could even hear "Clueless" Cher Horowitz piping, "This is California, not Kentucky!" All the same, Southern-born filmmaker Billy Bob Thornton has cut himself a big slice of the Hollywood pie. "Sling Blade"--nominated for Thornton's script and for his own starring performance--was, for some, the biggest surprise in a nomination field full of offbeat choices...

Author: By Nick K. Davis, | Title: Thornton's One-Man Show a Gem | 2/20/1997 | See Source »

...offbeat is "Sling Blade," really? In some ways, Thornton's Southern-gothic thriller is an unlikely hybrid of "Forrest Gump" and "Pulp Fiction," the tent-poles of the Oscar race two years ago. That is, "Sling Blade" inhabits some fairly original territory, but doesn't deliver on all of its promises...

Author: By Nick K. Davis, | Title: Thornton's One-Man Show a Gem | 2/20/1997 | See Source »

Movies, however, are called "Sling Blade" for a reason, and that reason is Doyle (Dwight Yoakam, sans cowboy hat), Linda's construction-worker boyfriend. Doyle, the trashiest of trash, is goading and just generally pissed when sober, but dangerous and violent when drunk--which, sadly for Linda and Frank, is pretty much all the time...

Author: By Nick K. Davis, | Title: Thornton's One-Man Show a Gem | 2/20/1997 | See Source »

...Sling Blade" doesn't pretend for a moment not to know where it is going, but the heart of the film lies not so much in what happens as in why. Sometimes, the reasons are stirring: the Bible-born compassion Karl has for lonely Frank cannot tolerate the cruelty of the Herod-like Doyle. His inevitable act of violence is, at least in part, a religious mercy mission. Other reasons are less convincing: Does a story arc this simple need back-story effluvia like buried infants, failed bar bands, an attempt by John Ritter (yes, the John Ritter) to play...

Author: By Nick K. Davis, | Title: Thornton's One-Man Show a Gem | 2/20/1997 | See Source »

Like "Gump," "Sling Blade" creates a fascinating protagonist but never fully decides what to do with him. Thornton is nonetheless a wonder to behold in the role, the rare actor who turns obvious mannerisms into a palpable personality. Karl ends all of his sentences with a guttural self-affirmation ("I don't reckon I got no reason to kill nobody, mmmhmmm") as though all of his statements contained a deeper truth that he alone fully appreciates...

Author: By Nick K. Davis, | Title: Thornton's One-Man Show a Gem | 2/20/1997 | See Source »

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