Word: blading
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Dates: during 1990-1999
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...hype about the quad rattled Eldredge. He opted for a skate on the wild side in the long program. Finding inspiration in the stirring strains of the Gettysburg sound track, he went for a quad toe loop, his first ever in competition. He landed on one blade cleanly--and fell. Weiss, who had stuck only 10% of his quad attempts in practice last week, remained a strong believer in the curative powers of adrenaline. In the long program, he attempted one of the hardest jumps, the quad Lutz. His landing was two-footed, but if the applause meter...
Lipinski skates with a sort of fairy confidence in easy landings. And until last week, her biggest gremlin was her triple Lutz, dubbed the "triple flutz" because she cheats slightly on the takeoff by leaning heavily on the inside of her blade. Then she stumbled on the triple flip in the short program, drawing marks as low as 5.2 for technical merit. She dropped to fourth place and later insisted in a teary voice that the fall was "not a doubting thing or a technical problem, just a fluke." The flub was shoved into the past by her solid long...
...soft-sell advertising campaign doesn't entice the average student, its films aren't exactly typical popcorn fare either: in terms of the eccentricity, the sheer 'foreignness' of many of its movies, the Archive puts theaters like the Brattle to shame. Although "The Shining," "Blade Runner" and even "Robocop" have popped up on its large, cinema-quality screen in recent weeks, the vast majority of its offerings are not in English, a similarly high percentage are more than a decade old and about half its films tend to be in black and white...
...original, rhythmically complex reading that offered a good opportunity for the trio to show that they were a cohesive group, not just a haphazard all-star assembly. The ease with which McBride navigates his hulking instrument was immediately apparent. He laid a solid foundation for the tune as Blade tastefully used brushes on his kit alongside. Redman then hung on a high note and slid upward to mark the beginning of his solo, in which he demonstrated his full, thick tone in all registers of the instrument. It was an apt starter for the show--giving audience members a hook...
...marked by a relatively simple melody repeated over a complex, busy rhythm figure, which combine to make the time signature of the head of the piece somewhat unclear. While the band had been tastefully restrained up till then, the solo section of "Off Center" gave the band members, particularly Blade, a chance to really come alive. Redman saw fit to change the timbre of his playing and force honks and cries from his horn. Blade got his first solo, and his rhythms seemed to pulsate through his wiry body as he manipulated his resonant and tight-sounding drum...