Word: blagdonã
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Dates: during 2004-2004
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Saltzman describes the frieze as a way of exploring “issues within shape and beyond shape,” citing folk artist Emory Blagdon??s installation “The Healing Machine,” as a significant influence. People are represented through triangles of multicultural construction paper (a material stemming from multicultural crayons used to render different skin tones), while the brighter top row alludes to childhood learning experiences...
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