Word: blakeã
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Despite being down 19-11 with only five points up for grabs, WTT rules would have allowed the Lobsters to force overtime if they won the mixed doubles tie. It was a win that seemed within their grasp given Blake??s form—but though Blake was on the card to play alongside Schlukebir, he was subbed out in favor of Johan Landsberg...
...match was Blake??s only home game for the Lobsters, though he did play Wednesday in the Lobsters’ 23-22 overtime loss to the Houston Wranglers Wednesday night. Despite the loss, Blake played in and won the men’s singles, men’s doubles, and mixed doubles events...
Nowhere was this signature tendency more prominent than in Evans’s 2001 installation accompanying the William Blake exhibit at Tate Britain, where a computer was rigged to translate randomly-selected snippets of Blake??s poetry into Morse code...
...Tahitian Pearl,” Ron Blake??s saxophone converses with McBride’s electric bass until the two finally meet, yielding perhaps the album’s smoothest effort. “Lejos de Usted,” with its samba-influenced rhythm, is also unique for McBride’s bowed bassline, which complements a strong flute performance from Blake. Although the track’s spoken introduction seems extraneous, the interesting play of repetitions that follows more than compensates...
...Loose Cannon,” allowing the audience to catch a true glimpse of his virtuosity. He constructed polyrhythmic extrapolations onto the initial simple patterns, building on the rhythm and blues flavored hooks and then subsiding into sparse, off-putting snare shots as he tried to push Blake??s more cool and subdued solo into another, more frenzied direction. Blake??s resistance to percussive prodding created a palpably apparent tension, until Stewart resolved the matter, asserting his authority in the first of many explosive solos. Building up from a simple extended interplay between nothing...