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...darkest deeds. The film's big set pieces - the devouring of a live octopus, a tongue removal without benefit of anesthetic, even a bout of lovemaking - are essentially acts of self-mutilation, in a world where Original Sin blots out the sunlight of redemption. Oh essentially takes the major blame for all the awful things that have happened to him. And when he finally faces his captor, he goes medieval on himself: ripping out his tongue, begging for the villain's mercy and licking his shoes...

Author: /time Magazine | Title: The Movie that Motivated Cho? | 4/19/2007 | See Source »

...have only ourselves to blame for these sterling examples of modern minstrelsy—and we know it: What other reason for the self-righteous tone of our “outrage” over the Rutgers incident, and our silence on so many others? With each progressive volley against Imus’s comes an equally adamant “not I!” So either we let our outrage translate into a genuine turn towards higher-minded discourse, or we should stop all the preaching...

Author: By James M. Larkin | Title: Imus’s Accomplice | 4/18/2007 | See Source »

...Hupp went on to serve as a state representative for 10 years, but she now lays some of the blame for the Virginia killings at the feet of politicians. "I am saddened and sickened, my heart hurts for those people - I've been there," Hupp said. "But at the same time I am angry - even with the sadness - because this was largely preventable on the scale that it happened. The politicians haven't figured it out. They have created gun-free zones, and all of the dreadful things that have happened were in these gun-free zones...

Author: /time Magazine | Title: The Gun Lobby's Counterattack | 4/18/2007 | See Source »

...knew Dylan Klebold from French class. He says he has forgiven both Klebold and Harris. "They're the only ones I could blame, and I view them as sick people...

Author: /time Magazine | Title: Echoes of Columbine | 4/18/2007 | See Source »

Most of the blame for this not-quite-good production goes to director Scott Edmiston, who directed “Miss Witherspoon” as a light-hearted take on dark themes. Such an interpretation misses the point of the play. Durang is dark first, funny later, and Edmiston’s direction leaves the play in dramatic limbo—not quite sad, but not quite funny, either...

Author: By Jillian J. Goodman, CRIMSON STAFF WRITER | Title: ARTSMONDAY: ‘Witherspoon’ Fails To Bloom in Boston | 4/15/2007 | See Source »

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