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...lies not in such blameless refereeing but in Rodman's heartfelt reinterpretation of art history, past and present. In a succession of loosely connected essays he shows that art has always been two-faced. Giotto knew how to make the two faces-form and content-merge into one. So did Rembrandt and every other great painter. But artists who try to get around the problem by sacrificing form to content (like the academicians) or content to form (like the most extreme of the moderns) have always fallen flat between...

Author: /time Magazine | Title: Art: The Basic Debate | 11/28/1955 | See Source »

Even the once blameless sex life of the cinema cowboy has been coming in for some sharp scrutiny from European critics. Critic Schein detects a sadistic dislike for women: "In The Outlaw, the young man, after prolonged abuse, humiliates the woman by choosing, in a tossup between her and a fine horse, the horse. In a priceless homosexual castration fantasy, the father figure of the film shoots off the ear lobes of the young man when he dares to defend himself. The pistol in westerns is by now accepted as a phallic symbol...

Author: /time Magazine | Title: Cinema: Le Western | 7/4/1955 | See Source »

...pedestal he occasionally poked a finger into worldly affairs. In the '30s he asked the Polish government to pardon draft dodgers. In the '50s he urged "the little minority of intellectuals" to refuse to testify before congressional committees, on the grounds that "it is shameful for a blameless citizen to submit to such an inquisition...

Author: /time Magazine | Title: Science: Death of a Genius | 5/2/1955 | See Source »

George Tobias, as a Russian Commissar of Art, and the rest of the cast are blameless; they did the best they could. Silk Stockings is two and a half hours of testimony that Messers. Porter and Kaufman...

Author: By Arthur J. Langguth, | Title: Silk Stockings | 1/6/1955 | See Source »

Autumn Flutes & Saliva. "Have you met Ho Chi Minh?" an anti-Communist Vietnamese was asked. "Oh yes," the Vietnamese replied, quickening involuntarily. "He is the living example of a revolutionary. He has a blameless private life. He dresses simply. He is intelligent. He speaks French, Russian, English, Chinese and Vietnamese. He is very clever: when he speaks to the people he is direct so that an eight-year-old child can understand. He has infinite patience. He has sacrificed his own life completely for the revolution." Jawaharlal Nehru adds: "Extraordinarily likable and friendly ... a man of integrity desiring peace...

Author: /time Magazine | Title: INDO-CHINA: Land of Compulsory Joy | 11/22/1954 | See Source »

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