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...exchanges between Equus 'antagonists are scarcely more exciting. Firth's performance, seemingly so natural in a theater, looks artificial in closeup. Burton provides a curiously bland Dysart who lacks the high-pitched emotional constipation that both Anthony Hopkins and Alec McCowen brought to stage productions. Lumet tries to save the day by flooding Burton's speeches with melodramatic lighting and music, but no such makeshift remedy can cure Equus of its congenital limp. - Frank Rich

Author: /time Magazine | Title: Cinema: Horseplay | 10/31/1977 | See Source »

...EDOUARD MANET painted At the Railroad Station; four years later Claude Monet painted a similar scene. Manet chose to depict two pretty women sitting under a sunny sky with the station creating a bland industrial backdrop. Monet omitted the smiling women, painting only the dark, smoky blue train station; and the opening shot of Julia is a technicolor replica of his ominous image--an image that is repeated frequently throughout the film. Julia is the story of Lillian Hellman (Jane Fonda) and her childhood friend (Vanessa Redgrave) whom she christens "Julia," who together lost the insular beauty of their adolescence...

Author: By Joanne L. Kenen, | Title: Technicolor Portraits | 10/15/1977 | See Source »

...contemporaries but to history. The Englishman co-authoredChina Under the Empress Dowager,a unique insider's view of late 19th century Imperial politics, based on "The Diary of His Excellency Ching-Shan," a man of the court. Just before publication, Backhouse pleaded with his co-author, J.O.P. Bland, a popular British journalist working in Peking, to remove his name from the title page of the book. Bland, convinced that Backhouse's plea was just another example of his over-humility, refused. Bland was convinced his decision would be vindicated by history. Now, a recent biography of Backhouse, written by Hugh...

Author: NO WRITER ATTRIBUTED | Title: Mysteries of History | 10/12/1977 | See Source »

...bland scenes that dwell on Hellman's love affair with Writer Dashiell Hammett (Jason Robards) are as cryptic as they are irrelevant. Meanwhile, other poorly delineated supporting characters prance around without apparent purpose...

Author: /time Magazine | Title: Cinema: A Convoluted Memoir of the '30s | 10/10/1977 | See Source »

...acting, as in all miniseries, is wildly uneven. Except for Robert Vaughn's reptilian Haldeman/Ehrlichman and John Houseman's phlegmatic John Mitchell, all of the President's self-serving men are bland. The many familiar TV actresses in the cast are interchangeable, and so are the canned romantic subplots in which they appear. The series would have been smart to leave at least most of Washington's bedroom doors closed...

Author: /time Magazine | Title: Television: High Soap Opera in D.C. | 9/5/1977 | See Source »

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