Word: blandishes
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Playwright S. N. Behrman. whose frolicsome plays (The Second Man, Serena Blandish) were admirable, does not use ponderous syllables to transmit his new solemnity. His idiom is rapid, keen, unfailingly dramatic. For Alfred Lunt he has provided another personal success with perhaps the most picaresque role of his career. For the Theatre Guild, smarting from the rebuffs given Karl and Anna and The Game of Love and Death, he has made the season happier...
Most heartbreaking it is to find at the Hollis, where the Theatre Guild is opening its Boston season, that Lynn Fontanne has nothing to do. The play is "Meteor", by S. N. Behrman, who wrote "The Second Man" and "Serena Blandish". And though Miss Fontanne is in it, on the stage, in fact, for a good part of it, she is a distinct second fiddle. This is all the more remarkable, because there are few enough actresses of her attainments who would take such a part, and none that would do it with such a fine sense of the artistic...
...grimaces and posturings of famed actresses. In this latest edition−a mockery fest which simultaneously jibes at world history, actors, producers, Broadway hits−Mimic Carroll simulates the jiggling gait of Beatrice Lillie (This Year of Grace), the lush, salivary speech of Constance Collier (the countess in Serena Blandish), the Jewish idiom of Fannie Brice (Fioretta), the long-legged, weaving rhythms of Gertrude Lawrence (Treasure Girl). He is far less successful in his one attempt to imitate a man, to catch the elusive implications of silent Harpo Marx (Animal Crackers). There are also two female mimics: Dorothy Sands...
...hash of idle chatter by the smart young New Yorkers one may find at the Algonquin. Jed Harris has two shows on view, the profane and colorful newspaper show, "Front Page" and a not entirely successful fantasy, but a play like none other now in New York, "Serena Blandish", in which Ruth Gordon, A. E. Matthews and Constance Collier depict the languid game of love in Mayfair, seen by a singularly innocent young wanton. "Man's Estate" most recent of the Theatre Guild offerings, gives Margalo Gillmore and Earl Larimore a chance to thrash out the eternal question...
...Serena Blandish was born near the docks of London. When she grew up, she was carried off by a Countess who wished her to make a brilliant marriage. This Serena was incompetent to do. She accepted a ring from a Jewish jeweler and she accepted a luncheon engagement with Lord Ivor Cream. The ring led to embarrassments and the luncheon engagement led, not to another engagement of a more permanent nature, but to tea. Martin, the Countess's butler, gloomily observed: "A lady who stays to tea where she has been invited to luncheon never gets engaged...