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While some courses strive to limit students to a single subject, VES 124r, “The Narrative in Painting,” is a blank canvas. The class is taught by Visiting Professor Maureen Gallace, a working artist who actually commutes from New York on a weekly basis to teach the course...

Author: By Isabel J. Boero, CRIMSON STAFF WRITER | Title: Show & Tell: VES 124r, "The Narrative in Painting" | 12/15/2005 | See Source »

...thought they would all jump up and join me,” says Jones. “I stood up, told everyone about my epiphany, and was met with a roomful of blank stares...

Author: By Aria S.K. Laskin, CRIMSON STAFF WRITER | Title: Fighting Oppression | 12/14/2005 | See Source »

...focusing in particular on competitors’ sex lives and physical appearances. But Kevin J. Wecht ’07 of Cabot House said the game was so “intense,” the comments were not distracting. “Your mind goes numb, your eyes blank out, and you are only in the moment,” he said. Early in the tournament, a team of College administrators squared off against Kirkland House residents. Most deans, sporting button-up shirts, ties, and sneakers, were quickly picked off by the Kirkland squadron. Assistant Dean of the College...

Author: By Alyssa M Aguilera, CONTRIBUTING WRITER | Title: Duck! Dunster Nabs Dodgeball Tourney | 12/12/2005 | See Source »

...Chinese tastes and Chinese stories. But that's for tomorrow's film execs to contemplate. Today, Chan's images rattle in the mind: a distraught Lin wading through his midnight-green hotel pool; Nie and Sun in a darkened theater, silhouetted against a screen that has gone as blank as their relationship; Sun and Lin on a frozen lake, wrapped in a decade of love and hate. And crimson stage blood staining stage snow, as bright as the future of film in China...

Author: /time Magazine | Title: Absolute Love | 12/11/2005 | See Source »

...settings in different areas of the theater to avoid the time-consuming onstage set changes, for which the play is often criticized. Stark, clean lighting reemphasizes the harshness of the graphic all-white sets. The set design, also by Burkle, is so strikingly minimalist that the walls seem like blank canvases. In fact, when Berenger’s friend Jean (Michael B. Hoagland ’07) throws up during his sickness, the green vomit becomes art as it drips down the wall in abstract expressionistic splendor...

Author: By Natasha M. Platt, CONTRIBUTING WRITER | Title: Burkle’s Strong Direction Carries | 12/11/2005 | See Source »

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