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Meatballs thus becomes the year's seventh film and its first animated feature to spend two weekends at the top of the box office. None of the other repeaters - Paul Blart: Mall Cop in January, Madea Goes to Jail in February and, over the big summer season, Night at the Museum 2, The Hangover, Transformers 2 and Final Destination 4 - are likely to earn a slot on the newly expanded, 10-title list of Oscar nominations for Best Picture. Nor did any of them except The Hangover earn money-quote lines from the critical establishment. But they underline the importance...

Author: /time Magazine | Title: Box-Office Weekend: Bruce Willis Gets Meatballed | 9/28/2009 | See Source »

...around the corner. He shrugs off robberies of the mall stores but thinks the escapades of a flasher (Randy Gambill) are the start of World War III. He hears voices in his head, and they're not happy. He's the polar - actually, bipolar - opposite of nice, nebbishy Paul Blart in this year's most popular comedy. Ronnie is Travis Bickle, Mall Cop. (See an interview with Seth Rogen...

Author: /time Magazine | Title: Observe and Report: Travis Bickle, Mall Cop | 4/9/2009 | See Source »

...Hollywood moneymakers, or to those prestige dramas, the high-minded equivalent of TV movies, that keep getting nominated for the Best Picture Oscar? These films don't want to establish a hyper-reality, just a familiar reality that brings the viewer immediately into the lives of their characters. Paul Blart, or the kids from Slumdog Millionaire, would not have benefitted from the in-your-lap urgency...

Author: /time Magazine | Title: 3-D or Not 3-D: That Is the Question | 3/28/2009 | See Source »

Although certain self-parodying epiphenomena of the Age of Profligacy - so long, Paris Hilton! - are about to disappear, fun will endure. Hollywood is doing fantastic box-office business, thanks to insanely unserious movies like Paul Blart: Mall Cop and Madea Goes to Jail. The Colbert Report has been a special haven of sanity amid the sky-is-falling hysteria. And again, history is encouraging in this regard: Saturday Night Live and modern comedy were born during the malaise-y '70s, just as wit and humor - the New Yorker, the Marx Brothers, screwball comedy - flourished in the '30s. I'm even...

Author: /time Magazine | Title: The End of Excess: Is This Crisis Good for America? | 3/26/2009 | See Source »

Hollywood marks most profitable January ever. Thanks, PAUL BLART...

Author: /time Magazine | Title: Pop Chart | 2/5/2009 | See Source »

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