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Word: blase (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

Confidante. A New York deb's secretsusands of our less blase Iowa girls when to kiss and when not to kiss (usually NOT!); when to give the young man absent treatment, and when it's safe to lunch with a girl friend's husband. That is to say, almost never...

Author: /time Magazine | Title: SEX: Debutante's Pangs | 7/31/1933 | See Source »

Nervous. Iowa's cows and chickens were blase about ordinary airplanes. They had seen three other Register and Tribune monoplanes weave a zig-zag pattern in the Hawkeye skies. But they were vaguely uneasy about the flying windmill that landed like a monstrous rooster hopping down from a fence post...

Author: /time Magazine | Title: AVIATION: Heavenly Visitor | 6/19/1933 | See Source »

...London this winter, the bright young people of Mayfair danced nightly to "The Pied Piper of Hamelin" and "You're Blase," smart tunes made right in London. In Paris, people go to swank Monseigneur especially to hear Lucienne Boyer sing "Parlez-Moi d'Amour," a.soft, fragile French song. In Berlin Tenor Richard Tauber, the monocle man. is making "Du bist mein Traum" a worthy successor to "Dein ist mein Ganzes Herz...

Author: /time Magazine | Title: Music: Foreign Records | 4/4/1932 | See Source »

...tunes has ended for last week Manhattan's smart Gramophone Shop reported that this season had been by far its biggest for popular records made abroad. London has sent several outstanding numbers: "The Pied Piper" arranged with a catchy, recurring ^'piper" motif; a good dance record of "You're Blase" and a two-piano version neatly embroidered by Peggy Cochrane and William Walker. From Paris there is Lucienne Boyer's "Parlez-Moi d'Amour" which took a prize last year for being the best popular record made in France; and colored Josephine Baker's "J'ai Deux Amours." From Germany...

Author: /time Magazine | Title: Music: Foreign Records | 4/4/1932 | See Source »

Sophistication takes a well-earned evening's rest. The blase affectations of the socially ambitions are held up to the scorching ridicule of Mr. Powers' homely eloquence until they are babbled to cringing subjection by his irrepressible tongue, reenforced with frequent inhibitions of well-spiked punch. He offers an injection of wholesome common sense and good-humored sentiment as a panacea "for what ails the damned theatre," as he quaintly phrases...

Author: By R. O. B., | Title: THE CRIMSON PLAYGOER | 2/24/1932 | See Source »

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