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...admits to skepticism and has left the Roman Catholic Church. This contradiction has turned up in Menotti operas before (e.g., The Medium), in the shape of dramatic conflicts between some form of faith and reason. The theme is rousingly treated in Menotti's new opera, The Saint of Bleecker Street, which last week opened on Broadway to rave reviews. It is Menotti's most ambitious opera to date, and perhaps his best...

Author: /time Magazine | Title: Music: Successful Saint | 1/10/1955 | See Source »

...Christmas Day (he had to find a new boy soprano, since two earlier ones are teetering on the vocal edge of manhood) and a concert performance of The Consul in Philadelphia next month. After that he will concentrate on the score and libretto of The Saint of Bleecker Street, which "may take me five years. I don't care. I have been reading about saints. It is very difficult...

Author: /time Magazine | Title: Music: Wordless Menotti | 12/15/1952 | See Source »

...drinker might feel for an alcoholic. Emotionally, Diane is a D.P. Home, for her, is not her Bible-thumping mother's flat, but a kind of Greenwich Village inferno. The neurotics who crawl across her life and the pages of Novelist Mandel's book have addresses on Bleecker and MacDougal Streets but no roofs over their weary souls. Plagued with guilt-edged insecurities, they have one fear, themselves; one foe, reality; one condition, despair; one refuge, dope. Charged on Tea and Horse, they are world-beaters...

Author: /time Magazine | Title: Books: H Is for Horse | 5/5/1952 | See Source »

Pathetic and ineffectual, Bodenheim flaps through the Village today, eating and drinking when he can cadge a handout or peddle a bit of verse in the San Remo bar on Bleecker Street. Mostly he lives on gin and the memory of a time when the literary life brought him greater rewards...

Author: /time Magazine | Title: National Affairs: The Literary Life | 2/18/1952 | See Source »

...delegation was organized last spring by a group called the American Festival Committee, with headquarters in a dingy building on Bleecker St. in downtown Manhattan. People wishing to attend the festival had to make arrangements through this committee; the Hungarian government was unusually willing to approve all visa applications made through the group. Anyone who wished to go to the festival and could play his way was welcome--the only restriction was that no purely "observers" were allowed, all had to be members of the delegation...

Author: By Paul W. Mandel, | Title: Youth Told of Grim U.S. at Budapest | 10/7/1949 | See Source »

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