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...these creatures are angels, too, Damiel decides, but most important they are human. They can bleed and see colors. They can feel warmth and pain. Damiel wants to enter their world, "if only to hold an apple in my hand." He wants to be able to feel now instead of just observing forever. He wants to say "Ah!" instead of "Amen." He wants to create his own story in his own voice. So he takes the plunge, toward his airborne woman. An angel must fall to earth to fall in love...

Author: /time Magazine | Title: Cinema: The Angel Who Fell to Earth WINGS OF DESIRE | 5/9/1988 | See Source »

...bloodthirsty, raving madman, and while Miller's Shylock is appropriately vengeful and merciless, he also rarely loses his cool. He demands the justice and respect he deserves as a man but is denied because of his religion. He pleads. "If You prick us [Jews]. do we not bleed...

Author: By Gary L. Susman, | Title: Venetian Binds | 11/6/1987 | See Source »

...told Reagan, "You can't get $100 billion in savings out of this little bitty piece that's left. You got money in there for feeding babies, for building roads, for cancer research, for the national parks, the FBI. We'll help you squeeze 'em, but we can't bleed...

Author: /time Magazine | Title: The Crash: In The Shadows of the Twin Towers | 11/2/1987 | See Source »

That includes a premium on visual effects and an emphasis on rudimentary characterization, both earmarks of immature writing and feature films, where the bulk of the audience is under 25. Only the future can tell which young writers will be ready to bleed for their art and which will continue to write with ice-cold Perrier in their veins. But current evidence indicates a considerable potential for a fiction of arrested development. Says Thomas Bender, head of the history department of New York University and author of the recent cultural history New York Intellect: "If the world is willing...

Author: /time Magazine | Title: Books: Yuppie Lit: Publicize or Perish | 10/19/1987 | See Source »

Friedrich starts off his portrait of the '40s expansively with 1939, the year of Gone With the Wind. The movie town's enormous energy and arrogance stayed intact through the war years, but then its charmed life began to bleed away. One cause was Red baiting by the House Un-American Activities Committee in 1947. TV cut into attendance. It became commonplace to shoot movies abroad, beyond the easy control of studios. Hollywood's civility, soured by the blacklist that the studios said did not exist, was further strained by the expulsion of Actress Ingrid Bergman...

Author: /time Magazine | Title: Show Business: Tales Of | 1/5/1987 | See Source »

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