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...James Gandolfini), a dead-end job and the depressive sense that "life has dealt me some bum cards. Or maybe I didn't play them right." But the Coens do. They lay out their story in pearly, sepulchral black-and-white, infuse the dialogue with mordant wit and somehow blend those two postwar innovations, UFO mania and dry cleaning...

Author: /time Magazine | Title: Fall Preview: Fall Preview | 9/3/2001 | See Source »

STYLE FILE Belt clips aren't the only way for geeks to carry their gear. The Scott eVest ($160), made of a water-repellent, cotton-blend fabric, conceals a dozen pockets that are designed for everything from laptops to PDAs. Velcro tabs along the edges hold wires in place, and an opening near the neckline keeps your cell phone's earpiece handy. The eVest comes in black and khaki. A version for women...

Author: /time Magazine | Title: In Brief: Aug. 6, 2001 | 8/6/2001 | See Source »

...GENIE Blinded at six by glaucoma, schooled in classical, gospel and every form of popular music, Charles came to Atlantic in 1953, when Ertegun bought his Swingtime Records contract for $2,500. Ray brought with him a pioneering blend of gospel melodies, R&B raunch, a suavely swingin? piano groove ? la Nat Cole and the imposing sound of a big band behind him (though typically he worked with only six sidemen). Oh, and an epochal vocal style that would make him the dominant and longest-lived soul singer of the century. Was Charles, as one of his own albums...

Author: /time Magazine | Title: Ahmet?s Atlantic: Baby, That Is Rock and Roll | 8/3/2001 | See Source »

...Leiber?s parodies - "aural cartoons," Donald Clarke calls them - were also social criticism; they sounded black but could apply to alienated whites too. Stoller?s uptempo bluesy charts (usually 12-bar blues) found the ideal blend of honking sax solos by King Curtis and the singers, who had distinct comic personality: Gardner?s lead tenor in a vaudeville vibrato of fear and trembling, Bobby Guy?s smart-guy growl (a nastier version of the Ray Charles tout-voice), Dub Jones? mindshaft bass delivering the cool catchphrases (as parent: "You better leave my daughter alone" and "Don?t talk back...

Author: /time Magazine | Title: Ahmet?s Atlantic: Baby, That Is Rock and Roll | 8/3/2001 | See Source »

...show, though, requires a complex blend of outrageous and subtle comedy that can lose all appeal if handled improperly...

Author: By Jeremy W. Blocker, CRIMSON STAFF WRITER | Title: ‘Forum’ Provided Laughs, Full Characters | 7/27/2001 | See Source »

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