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Word: blende (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
Sort By: most recent first (reverse)


Usage:

This is understandable. Soaps were originally intended to be nothing more than subliminal salesmen. Back in 1933, when their first successful soap, Oxydol's Own Ma Perkins, was aired in Chicago, Procter & Gamble's commercials were skillfully buried in the plot. Writers prided themselves on a seamless blend of message and drama. Irna Phillips, the seminal soap writer who dominated the genre for 40 years, even thought she should forgo her credit to enhance the shows' realism. It was Phillips who anchored the soap to the family and peopled it with professionals. The youngest of an Iowa grocer...

Author: /time Magazine | Title: Television: Sex and Suffering in the Afternoon | 1/12/1976 | See Source »

...high art, but it is an often successful blend of rock and poetry...

Author: /time Magazine | Title: Music: Say Yeah! | 1/5/1976 | See Source »

...Grunt/RCA). A decade ago, when just a mere Airplane, the San Francisco trippers pioneered acid rock. Here is their best album in years, a free-flowing blend of rock, jazz and folk...

Author: /time Magazine | Title: Music: The Year's Best IPs | 12/29/1975 | See Source »

BUTTERFLIES by Thomas C. Emmel. 244 pages. Knopf. $29.95. Some of these rare Lepidoptera are so luminescent they produce optical shock. Even the commoner varieties blend the lyrical with the clinical, intriguing both scientist and layman. Accompanying facts are as remarkable as the closeup images. The ubiquitous orange monarch, for example, is the only true round-trip migrant among the world's 20,000 species. Although only one family of butterflies is called satyrs, most males exhibit an aggressive libido as soon as they emerge from the chrysalis-they can detect females by odor, flight signals, and ultraviolet waves...

Author: /time Magazine | Title: Books: Gift Books | 12/22/1975 | See Source »

...STUDIES from "Newtonian Disks", which follow that painting in sequence down the ramp of the Guggenheim museum, blend almost imperceptibly into studies for "Amorpha: Fugue in Two Colors." This painting is too large to be hung where it should chronologically be placed; one has to descend in suspense through Kupka's "pseudo-Expressionist," "pseudo-Mondrian" and "art deco" periods before finding it, at the bottom. "Fugue," painted in 1912, is indeed greater than anything else Kupka ever did. It represents a culmination of his nonprofessional interests--astronomy, music, and mysticism--as well as his artistic abilities: his skill with color...

Author: By Eleni Constantine, | Title: Reflections in a Mirror | 12/16/1975 | See Source »

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