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...neurosis that affects only those who have achieved success, is a peculiar blend of insecurities. Its victims privately denigrate their professional abilities and think that their success is the result of superficial qualities like good looks or charm. Some are workaholics who believe that they have made it only because they work harder than others. Most have difficulty accepting compliments. What distinguishes IP victims from other shy or insecure people is an enormous drive to achieve worldly position coupled with an inability to enjoy acclaim. Most strivers experience anxiety when faced with a difficult challenge, but usually feel better after...

Author: /time Magazine | Title: Behavior: Fearing the Mask May Slip | 4/18/2005 | See Source »

...temple of broadcast journalism, Sept. 24, 1968, deserves to be chiseled in marble. On that night, a television news show patterned after print magazines premiered on CBS. Instead of devoting its hour to one subject, the program offered a blend of serious stories and light features. Instructive and entertaining at the same time, it climbed its way into television's Top Ten shows, earning several hundred million dollars in profits and destroying the dictum that TV news cannot draw viewers and money. Its name, of course, is 60 Minutes...

Author: /time Magazine | Title: Video: Children of 60 Minutes | 4/18/2005 | See Source »

...1920s and 1930s, TlMEstyle was a clever, sometimes irreverent blend of double-barreled adjectives (bald-domed, haystack-haired), word combinations (Nobelman, cinemaddict), neologisms (tycoon, socialite) and inverted sentences. Although that approach changed long ago, style, in a different sense of the word, remains vital to the magazine. Maintaining TIME's linguistic standards and revising them when necessary are the responsibility of the Copy Desk. Says Copy Chief Susan Blair: "Our main concern is to make the magazine as easy as possible to read. We don't want to throw the reader any curves...

Author: /time Magazine | Title: A Letter from the Publisher: Aug. 19, 1985 | 4/18/2005 | See Source »

...Santa Fe Opera last week, two important premieres demonstrated just how potent eclecticism can be. John Eaton's The Tempest, with a libretto after Shakespeare by Music Critic Andrew Porter of The New Yorker, is a rich blend of Renaissance music, jazz and electronics that is surrounded by an uncompromisingly modernist microtonal framework. Another happily eclectic work, Hans Werner Henze's The English Cat, takes an anthropomorphic tale by English Playwright Edward Bond, based on Balzac, and sets it to music that freely ranges from kitschy consonance to acerbic dissonance. Both operas have the kind of unquestioned stylistic integrity that...

Author: /time Magazine | Title: Music: When the Style Is No Style | 4/18/2005 | See Source »

Publicly, Reaganites express confidence that the President will successfully blend his procapitalist ideological toughness with an informed shrewdness about Soviet stratagems. "He's been preparing for this for 25 years," says ex-Aide Michael Deaver, who is helping with summit public relations. One prepper goes so far as to label Reagan's elaborately prepared briefing materials as mere "refresher reading." Still, sighs one Sovietologist, "let's face it. He's starting from such a low base that any knowledge would be an improvement." Reagan is so supremely confident of his ability to persuade the Soviets of the virtues...

Author: /time Magazine | Title: Studying the Cue Cards | 4/18/2005 | See Source »

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