Word: blended
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Dates: during 1950-1959
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...events, has set up shop in one corner of the quadrangular building, and his long-winded musicians stop but twice during the entire three-hour dance. My Fair Lady mingles with Pal Joey, white dinner jackets mix with black ones, red chemises mix with red jackets; but the lights blend all into violet. Some dance in the circle created by the shower curtain, while the jowly policeman at the door smiles benignly at the scene...
Danny looks like a weird blend of Napoleon and Fiorello H. LaGuardia, sings as cornily as Al Jolson did, speaks as if he forgot to gargle before keynoting a dockers' meeting. His trademark is his preposterous nose ("If you're going to have a nose, you ought to have a real one"). But the U.S.'s currently favorite tele-comedian, boasting no single towering talent, succeeds as a funnyman mostly because his humor seems to well up from a sizable heart. Or, as Danny Thomas puts it, citing his favorite philosopher, Lebanese Mystic Kahlil (The Prophet) Gibran...
...moist ending (the Rangers discovered the publicity on the Beaver Patrol had been sensational, and Uncle Chuck finally felt wanted), sometimes seemed to be writing an artful recruiting appeal for parent participation in youth groups. But his simple story was redeemed by an authentic feel for the peculiarly Jewish blend of wry humor and forthright sense of Manhattan's Seventh Avenue, and the warm, shamblingly expert performance of Slezak, who can (and frequently has) played this kind of role so expertly that it seems disarmingly artless...
Other U.S. critics may have made as high demands on the theater, but none has ever matched the bright, Nathanic blend of impudence and intellect, rapture and irreverence. "Art," he held, "is a beautiful, swollen lie; criticism, a cold compress." While he derided "soapbox philosophers" and "commercial uplifters," Critic Nathan preached, cajoled and bullied to carve out a niche for Eugene O'Neill, the first U.S. dramatist to achieve worldwide renown. He worked as hard to popularize such famed European playwrights as Sean O'Casey, Ferenc Molnar, and Luigi Pirandello. Says the New York Times's Drama...
...make the horror understandable. No recent novel about the Mau Mau has succeeded as does The Leopard in making clear how the black man rationalizes his murderous bent. What is even more remarkable is Author Reid's ability to create a feeling for the land itself, to blend a lyrical, near-poetic portrait of a primitive mind with his brutal subject matter. Unashamedly contrived, his book is quite simply a brief imaginative triumph...