Word: blendings
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Dates: during 1960-1969
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...extended short story. This is an experiment at contrapuntal fiction, for the two tales are linked in a number of ways, including the presence in both of a common character-a slightly rumpled female named Tillie Seltzer. Taken together, they are outwardly frivolous, ultimately marked by an unsettling blend of anguish and resignation...
...main choir, symbolizing in Schutz's words "the joy of the blessed souls in heaven." TheGloria, a quodlibet of Lutheran chorale melodies was precisely thought out and excellently proportioned among the voices. As for the seven soloists, the men were more distinguished than the women in regard to vocal blend if not phrasing, with Daniel Collins, the countertenor, David Evitts, the baritone, and Mark Pearson, the bass-baritone, producing the finest singing. The mezzosoprano and soprano, Jan Curtis and Susan Stevens, sounded totally alien, much as if one were simultaneously listening to a barrel-organ and a celeste. The choir...
...decide what novçelist's nightmare she has stumbled upon. Confronting a homicidal maniac, she says: "I was drifting between James M. Cain and Kathleen Norris." Unfortunately, that is also the drift of Sagan's seventh novel, which is a little more weird than her usual blend of native wit and updated Colette. The characters and setting are American, but Dorothy Seymour, Hollywood scriptwriter, may as well be one of Sagan's Parisian cocottes: she wears St. Laurent copies, vacations on the Riviera, suffers liver attacks and has a quintessentially Gallic attitude toward love. Her latest...
...musicianship would dare to perform against such a busy background. Sam & Dave qualify on both counts. Weaving and dancing, they gyrate through enough acrobatics to wear out more than 100 costumes a year. Their voices-Sam's higher and more cutting, Dave's huskier and darker-toned-blend robustly in mournful, harmonized wails or fervent gospel-style shouts. And their listeners respond like converts at a revival meeting. "Sing it, Sam!" they yell, or "I hear you, Dave; good God, I hear...
...philosophy of the game," Harrison said last month, "is the result of many years both as player and a coach. What I've tried to do is take the things I've enjoyed doing most as a player and blend them with the things that worked best for me--and against me--as a coach...