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...blend of Jolie's previous adventuress roles: the CIA killer lady in Mr. & Mrs. Smith crossed with a mix of Lara Croft, the daredevil pilot from Sky Captain and the World of Tomorrow, and the witch-goddess of Beowulf. (Oh, and her Tigress in Kung Fu Panda.) Densely tattooed, richly skilled in the automotive and firearm arts, Jolie's Fox reeks of a take-charge sexiness we might call feminismo. When, to make a point, she kisses Wesley in front of his perfidious girlfriend, you can almost hear the curling of toes of every comic-book guy in the audience...

Author: /time Magazine | Title: Holy Jolie! Wanted Delivers | 6/27/2008 | See Source »

...industrial waste, farm runoff and untreated human sewage. This river has been found to carry the germs of tuberculosis, encephalitis, polio, cholera, hepatitis and typhoid. We'd heard stories about people entering the U.S. by floating along this nightmare stream with white plastic bags on their heads to blend into the hideous foam. A CBP agent in a Jeep sat overlooking the spot. We asked him, Does that really happen...

Author: /time Magazine | Title: The Great Wall of America | 6/19/2008 | See Source »

...Tyson in The Autobiography of Miss Jane Pittman. Moving into feature films, he forged productive relationships with directors as imaginative as he: Burton, Steven Spielberg for Jurassic Park and A.I. and James Cameron on Aliens and The Terminator, T2 and the Universal Studios park attraction, T2: 3D, an amazing blend of film, FX and live action that Winston co-directed...

Author: /time Magazine | Title: Stan Winston: Monster Magician | 6/16/2008 | See Source »

...tell them if their son was alive or dead." When that terrible moment came, McKay looked into the camera. "My father used to say our greatest hopes and our worst fears are seldom realized," he said softly. Then, "They're all gone." It was an exquisite blend of professionalism and humanity...

Author: /time Magazine | Title: Thrills--and Agony | 6/12/2008 | See Source »

...paradox of Kapoor's work is that it has debts to the blunt boxes of minimalists like Donald Judd and Robert Morris as well as to the weightless atmospheres of James Turrell. But the blend of heavy and vaporous, declaring and beckoning--that's all Kapoor's. That explains S-Curve. A long wall of bending steel, it's like one of Richard Serra's hulking stretches. But because of its mirrored surface, S-Curve dematerializes, the way Cloud Gate does, into a field of runny reflections that throws the world for a loop. It's art as metaphysical jujitsu...

Author: /time Magazine | Title: Anish Kapoor: Past, Present, Future | 6/5/2008 | See Source »

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