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...basis of canola's virtues, American sales have doubled over the past two years, though canola still accounts for only 2.3% of all oils consumed in the U.S. Four years ago, Procter & Gamble converted its Puritan cooking-oil line from a soy-sunflower blend to 100% canola. Earlier this year Dean Foods, a Virginia-based company, rolled out a margarine rich in canola. Next year Frito-Lay plans to introduce SunChips, corn chips fried in canola oil. This surge of interest has caused a boomlet in Kentucky, Tennessee and Indiana, where growers are starting to plant acreage...

Author: /time Magazine | Title: Food: A Card Game? | 11/12/1990 | See Source »

...differences between them and the a cappella groups. The choral groups give "much less individual recognition" than a cappella groups, says Flynn. "People don't sing solos and don't walk to the front of the stage making jokes. It's really something humbling when your voice has to blend in with others." Although she says that, "Concerts are a special highly charged event,"Flynn is quick to point out that the "bestmemories of Collegium come from rehearsals...

Author: By Elijah T. Siegler, | Title: Inside Harvard Choirs | 11/9/1990 | See Source »

...carries an accent from his home in Roubaix, France, spent the last two years in Canada to improve his hockey. Seniors Ted Donato and Mike Vukonich will look to the left wing to find Breistroff. Described by Tomassoni as a "big, strong kid who can fly," the Frenchman should blend well with the two veterans...

Author: By John B. Roberts, | Title: These Freshmen Are Not Very Offensive | 11/9/1990 | See Source »

...language of our culture "hasn't been able to represent difference without hierarchy. For us to do that, it is really necessary to have a change in language." A former dancer, she reaches for a musical metaphor to suggest how the contrasting voices of men and women might blend. "One can think of the oboe and the clarinet as different," she says. "Yet when they play together, there is a sound that's not either one of them, but it doesn't dissolve the identity of either instrument...

Author: /time Magazine | Title: Self & Society: Coming From A Different Place | 11/8/1990 | See Source »

...problem is that no one, including the Manhattan-based choreographer-directo r herself, can easily describe what that profession is. "If I knew what I was doing, I wouldn't do it," says the avant-garde artist, paraphrasing her idol Samuel Beckett. Her productions are always an evocative blend of dance, music, words and light, but to her latest piece, Endangered Species, she brings something + entirely new: live animals, including Flora, a baby elephant, and Clarke's own horse, Mr. Grey. She maintains that they're being used as "sentient creatures" rather than beasts of burden or embarrassed icons. Finishing...

Author: /time Magazine | Title: Ten Women: To Each Her Own | 11/8/1990 | See Source »

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