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...broad rivalry between the two family dynasties it is a further paradox that McCormack must run as an anti-Kennedy candidate. The picture of the President that adorns the wall of his office suggests the similarities between the two men. Ideologically McCormack is a liberal with the Kennedy blend of soaring, egalitarian rhetoric and halting political pragmatism. Other pictures on the mantle show the candidate with Harry Truman and Pope John XXIII...

Author: By Frederick H. Gardner, | Title: Edward J. McCormack, Jr. | 6/1/1962 | See Source »

...colleges was a large, angular plot, bounded on one side by the huge Gothic tower of the Payne Whitney Gymnasium and on the other by the unbelievable part-medieval, part-Georgian Graduate School. The design which Saarinen eventually produced offended neither on the two and managed, in fact, to blend excellently with the Gothic...

Author: By Russell B. Roberts, | Title: THE CHANGING ARCHITECTURE OF YALE | 5/14/1962 | See Source »

...Bazaar. But Diana was eying the procession as associate editor of Harper's rival, Vogue-having switched magazines last month. And of the lithe models doing their stylish slither down the inter-table runway, none so captured Diana's rapt attention as China Machado, 26, an exotic blend of Portugal and Siam, glorious in a cocktail-hour getup that included pants and an overskirt. China (pronounced Chee-nah) was there in two capacities: as a model, and as the newest fashion staffer on Harper's Bazaar. Said she of her latest venture: "I have so much...

Author: /time Magazine | Title: The Press: Musical Chairs | 5/11/1962 | See Source »

...Bartholomew. 78. longtime editor of the London Daily Mirror, a stout Fleet Street lord who held British journalism "too niminy piminy" and so transformed a dowager's daily into the world's first picture tabloid and still largest daily newspaper (circ. 4,593,263) by a blend of strident headlines (on Dunkirk's evacuation: BLOODY MARVELLOUS). cartoon strips and pro-Labor politics; of heart disease; in Camberley, England...

Author: /time Magazine | Title: Milestones: May 11, 1962 | 5/11/1962 | See Source »

Some of Strindberg's Paris paintings are depressing studies in black, grey and various shades of brown. Others are shrill compositions of hard whites and yellows, oranges and blues, set against a frame of green that is liberally sprinkled with scarlet and purple dots. In one, the colors blend into something resembling mother-of-pearl; another was obviously begun by rubbing together two pieces of cardboard wet with color to make what Strindberg called "automatic painting." The show is about to take the grand tour: when it closes in Ulm, it will move to the Museum of Modern...

Author: /time Magazine | Title: Art: A Spatula & a Vague Idea | 4/13/1962 | See Source »

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